Life comes at you fast in M. Night Shyamalan’s Old
The writer-director makes a horror film a metaphor for parenting with surprisingly resonant results.
The writer-director makes a horror film a metaphor for parenting with surprisingly resonant results.
After a series of disappointments, Shyamalan went back to his beginnings with a PA-set thriller that is as concerned with its cameras as it is with its characters.
The Spool’s film-by-film exploration of intriguing directors returns with a journey across the career of Philadelphia’s one-of-a-kind thrillmaster.
Shyamalan’s first theatrical release is far removed from his most famous work—but does contain seeds of the filmmaker he’d become.
McAvoy approaches the superpowered Kevin Wendell Crumb and his alters with care and empathy, overcoming sketchy psychology.
M. Night Shyamalan’s first big stumble has disappointing twists, but that was never its true problem.
The first of M. Night Shyamalan’s Eastrail 117 trilogy frustrates with its approach to superhero comics as a medium but excels in its drama-and-thrillcraft.
The MCU’s latest streaming series gets weird, but it only partially works.
The composer of M. Night Shyamalan’s Apple TV+ thriller talks about the twists and turns of his unsettling score.
Like a hammer through a window, Glass shatters whatever goodwill M. Night Shyamalan had once recovered.
A trio of quirky films offer unique stories, but Pawo Choyning Dorji’s gentle comedy is the true standout.
Well, at least they kept the cabbages.
This year will play catch up with the strikes, try to revitalize or continue long-running franchises, and give directors and new and old the steam to keep filling theaters.
A quick overview of the high highs and middling disappointments in horror this year.
Beautiful settings, a pulpy premise & ominous atmosphere are more than enough to compensate for banal human subplots.
Shyamalan’s latest and a couple of Criterions about female bonds at different ages highlight this month’s new physical media releases.
The composer talks about fleshing out the score to EA’s hi-def remake of the classic space horror game.
M. Night Shyamalan produces an idiosyncratic ghost story whose reality is far from settled.
M. Night Shyamalan closes the Eastrail 117 trilogy with a deliberate anticlimax and deep empathy in place of spectacle, and the results are striking.
Shyamalan’s eco-horror misfire almost ended his career, but 15 years later, the film comes off more as a goofy cult classic than box office bomb.
M. Night Shyamalan’s alien invasion saga draws its power as much from the perception and presentation of the invasion as it does the event itself.