The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers’ latest film.
Tim Story crafts a horrid live-action/animation hybrid straight out of the 2000s — fans of old-school cartoons beware.
Apple TV+’s Billie Eilish: The World’s a Little Blurry traces the music sensation’s rise to fame, without falling prey to the usual music doc cliches.
The Russo brothers’ Avengers: Endgame follow-up wastes the potential of a grown-up Tom Holland, and tries way too hard.
Peacock’s attempt at reviving the classic 80s sitcom with some vague modern touches is as meaningless as it is harmless.
’70s conspiracy thrillers, African social dramas, and Laura Dern’s breakout performance number among Criterion’s February lineup.
Philip Seymour Hoffman plays a selfish ex in this Hope Davis-led indie romance.
Netflix’s latest is a charming, if tonally confused, young adult series about a mother-daughter duo starting over.
Andra Day shines in Lee Daniels’ otherwise-messy biopic about the Black cultural icon, squandering some fine potential.
Amazon Prime’s latest series tries for gritty crime thriller, but ends up in unintentional camp territory.
Netflix’s documentary about the soccer superstar is serviceable, but says nothing you haven’t heard before.
Philip Koch’s post-apocalyptic series gives us teens, tropes, and teases galore, finding glimmers of potential even as it hews creakily to formula.
Ed Helms and Patti Harrison charm in Nikole Beckwith’s refreshing, pleasurable dramedy.
Russell T. Davies’ miniseries that almost wasn’t is a harrowing and effective look at the joy and pain of coming of age in 1980s London.
Despite the magnetism of its star/subject, Young Rock ends up little more than a sweet lesson of the week half hour.
Amazon’s “Groundhog Day” for teens tries its best, but goes too heavy on metaphors instead of plot.
Netflix’s adaptation of the bestselling psychological thriller starts out on steady footing, but quickly loses its way.
Is it possible to find something good about Dan Aykroyd’s legendary horror/comedy bomb?