Seth MacFarlane takes his love letter to Star Trek in a decidedly Star Wars direction, as The Orville closes out season 2 with an alternate dark timeline.
Chambers, the latest supernatural drama from Netflix, is gorgeously shot, but its tale of a haunted heart transplant loses the script pretty quickly.
David Robert Mitchell’s latest might just be reviled precisely because it prods at the solipsism of the film bros who tend to drag it.
The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
Dame Judi Dench gives a commanding performance as always, but this time-hopping spy thriller suffers from tepid, made-for-BBC delivery.
Suranne Jones captivates as historical feminist and lesbian Anne Lister in a messy, but insightful HBO miniseries that overcomes its own stylistic crutches.
Brienne gets knighted, Arya checks something off her bucket list, and Dany reckons with Jon’s parentage in another leadup to Game of Thrones’ big battle.
Jennifer Kaytin Robinson’s unconventional combo of rom-com, BFF dramedy and a million other genres charms thanks to Gina Rodriguez and Lakeith Stanfield.
The gang behind the hit bad-movie podcast talk about their upcoming live shows, how their tastes have evolved, and crafting a comedy show in a changing cultural environment.
Clint sits down with the producers of Knock Down the House, The Infiltrators and Won’t You Be My Neighbor? to find out what makes a great doc.
Our exploration of black women directors continues with a look at Gina Prince-Bythewood’s sensitive, layered romantic drama.
A Holt/Kevin-centric episode uncovers new depths for the fan favourite couple.
Tessa Thompson and Lily James are two sisters struggling with rural poverty and difficult choices in this gripping, but uneven drama.
Adrianne Palicki pulls double duty in an Ed-Kelly episode that explores what could have been, and what might still be.
We take a look back at Cameron Crowe’s 30-year-old romantic comedy, a film that’s much more than John Cusack and a boombox.
Max Minghella’s directorial debut is a neon-dredged pop curio that features a one-note script that doesn’t exactly serve Elle Fanning’s game lead turn.
We take a look at the ways Pam Grier, Tamara Dobson, and other blaxploitation stars elevated their iconic characters beyond white-written stereotypes.
Our monthly TV podcast debates which character from David Chase’s seminal mob drama wins out over the rest.