This month, we celebrate The Irishman by looking back on the works of one of New Hollywood’s most enduring voices.
Amazon’s star-studded anthology series is so gentle, pleasant and inoffensive it ceases to resemble actual relationships.
Timothy Greenberg’s leaden, frustrating series is too lackadaisical to explore its clone-centric premise. Living with Yourself is the […]
Our first dispatch of the Chicago International Film Festival highlights Polish drama Sole, 3D dance doc Cunningham, and the experiential Fire Will Come.
Cheap, creaky jokes and overstimulated filmmaking plague a too-late sequel no one asked for.
A look at Martin Scorsese’s misguided musical, and the underestimation of camp.
It’s Newman and Cruise’s picture first, but Scorsese’s work on it is still a pleasure.
Robert Pattinson and Willem Dafoe crash upon the ramparts of Robert Eggers’ disquieting followup to The Witch.
Among the Mouse House’s stable of live-action remakes, this sequel to the 2014 prequel goes down a lot smoother than its contemporaries.
A look back at the movie that inadvertently launched a toxic movement & the TV series that better understood postmodern pain.
Joker tops the box office again while The Addams Family excels & Gemini Man struggles.
Lines are drawn & alliances are tested as FAM celebrates their big day.
Ken’s character arc comes full circle in a surprising, shocking, dynamite finale to a stunning season of television.
Martin Scorsese’s black comedy about one hellish night offers a trapped in amber portrait of 80s New York […]
One of the inspirations behind Joker takes a funny but more chilling approach to the angry white man […]
We look back on Martin Scorsese’s 1980 boxing drama, and how Joe Pesci became one of the most pivotal players in the filmmaker’s stable.
Upstream Color’s Shane Carruth stars in a haunting, atmospheric horror film about what lies beyond the pale.
This animated reboot of TV’s spookiest family plays its kid-friendly scares a bit too safe.
Wyrm writer/director Christopher Winterbauer sits down at Fantastic Fest to talk about the analog appeal of ’80s kitsch and adapting shorts to features.
