Jim Jarmusch’s black and white punk Western is both his most beautiful & most baffling film.
Jim Jarmusch’s around the world anthology is a flawed but ambitious look at the odd moments that bind us.
Sam Mendes’ critically acclaimed war drama unexpectedly usurps “Rise of Skywalker”‘s throne.
Jim Jarmusch’s atmospheric ode to Elvis and the fleetingness of time holds up more than 30 years later as one of his best works.
Who should win, who will win, and who was left out.
We look back at Jim Jarmusch’s film debut and the way its sense of experimentation ripples through the rest of his career.
This year’s slate of BAFTA nominations makes clear the need for more marginalised voices in the British film industry.
A look at how a sparsely plotted, low budget comedy changed the face of indie arthouse cinema.
Falling stars, grudges & impressive women abound over the first box office weekend of 2020.
We ring in 2020 by celebrating the birthday of independent cinema’s rockabilly godfather.
While Skyfall was a rousing success, Mendes’ return to the Bond franchise, bogs itself down in tiresome lore and continuity.
The closing chapter of the Star Wars sequel trilogy maintains a steady second-weekend box office haul.
From the first time we meet Baby Yoda to the final trek of the Razor Crest, we look back at the highs and lows of The Mandalorian’s first season.
Sam Mendes powers his leading ladies to metatextual heights in his first Bond outing.
Despite getting off on the wrong foot, Sam Mendes’s oft-forgotten dramedy remains a salient look at 2000s anxieties as often seen onscreen.
Sam Mendes’s tale of forlorn love works best as a study of the pitfalls that litter the American Dream.
The scandalous pre-Code melodrama The Story of Temple Drake and Wim Wenders’ sci-fi road movie Until the End of the World get the Criterion treatment.
Star Wars: The Rise of Skywalker rises to a forceful $175.5 million opening weekend at the box office, but it falters compared to previous episodes.