A limp. microbudget Texas actioner that gives whole new meaning to the term “lone-star state.”
Author: Douglas Laman
Sam Mendes’ critically acclaimed war drama unexpectedly usurps “Rise of Skywalker”‘s throne.
Falling stars, grudges & impressive women abound over the first box office weekend of 2020.
Nicolas Pesce’s 2020 extension of the Japanese horror franchise is maybe its most leaden, unscary entry yet.
The closing chapter of the Star Wars sequel trilogy maintains a steady second-weekend box office haul.
Star Wars: The Rise of Skywalker rises to a forceful $175.5 million opening weekend at the box office, but it falters compared to previous episodes.
Despite a weak year for sequels, audiences are willing to play another round with the Rock and friends.
Playmobil’s misguided animated feature follows in the footsteps of Delgo, The Oogieloves and other ill-fated kid’s flicks.
Disney’s sequel enjoys another robust weekend, while the Rian Johnson whodunit clues moviegoers to the joys of original crowdpleasers.
Frozen 2 breaks the ice of November’s box-office chill — and the year’s downward trend of family movie sequels.
Netflix’s Christmas offerings get an animated upgrade in this familiar but handsomely hand-drawn take on the Santa story.
Todd Haynes steps outside of his wheelhouse with a well-intentioned, but messy piece of narrative journalism.
Your dad’s favorite racing movie races to a $31.5 million opening weekend.
Wes Anderson took stop-motion animation to another level in a charming story of friendship & adventure.
Matt Damon & Christian Bale are in first gear in the true story of the race to make the fastest car in the world.
The Stephen King sequel checks out with a disappointing opener, but Roland Emmerich’s WWII epic flies high.
Adam Driver delivers another powerful performance in Scott Z. Burns’ drama about C.I.A. torture in the Middle East.
There is no fate but what we make, and Dark Fate‘s middling box office returns paint a grim […]
