Lynn Chen’s debut is an achingly honest tale of lost time and potential.
Mary Mazzio’s inspirational sports doc is as empowering as it is occasionally muddled.
With Pixar having one of their lowest openings yet, the box office experienced one of the worst weekends for this time of year in over a decade.
A $29 million take spells success for the low-budget Universal horror film, proof that the Blumhouse model works.
The kid-friendly video game movie keeps pace with a $26 million second weekend, staying ahead of Harrison Ford and his dog.
Everyone’s favorite talking hedgehog burns up a $57 million opening weekend at the box office, while Birds of Prey experiences the typical second-weekend slump.
Aardman is back with another charming children’s romp in the Shaun the Sheep series.
Despite solid reviews, DC’s latest putting Harley Quinn front & center struggles to find an audience.
Bad Boys for Life finds itself atop the charts yet again while Oz Perkins’ horror fairytale fails to crack the top three over the Super Bowl weekend.
Will Smith & Martin Lawrence beat Guy Ritchie’s latest handily in a robust-for-January weekend.
The critically blasted “Dolittle” follows “Cats” as another flop for Universal while audiences turn out for Will Smith & Martin Lawrence.
A limp. microbudget Texas actioner that gives whole new meaning to the term “lone-star state.”
Sam Mendes’ critically acclaimed war drama unexpectedly usurps “Rise of Skywalker”‘s throne.
Falling stars, grudges & impressive women abound over the first box office weekend of 2020.
Nicolas Pesce’s 2020 extension of the Japanese horror franchise is maybe its most leaden, unscary entry yet.
The closing chapter of the Star Wars sequel trilogy maintains a steady second-weekend box office haul.
Star Wars: The Rise of Skywalker rises to a forceful $175.5 million opening weekend at the box office, but it falters compared to previous episodes.
Despite a weak year for sequels, audiences are willing to play another round with the Rock and friends.