Netflix’s newest in horror is a twisty gorefest that only misses a few notes.
Mati Diop’s expansion of her documentary short is a scifi-tinged genre experiment that admirably swings for the fences, even if it doesn’t land with complete success.
Following up I, Daniel Blake with another grim drama about English poverty, Ken Loach spits venom about the dark side of capitalism to mixed results.
Arnaud Desplechin shifts gears with an all-too-straightforward cop drama mired in cliche.
The off-kilter French-Canadian auteur returns with a resonant if overlong drama that ends just a bit too messily.
We speak to the director and writer/star of Chicago Critics Film Festival’s opening night film about the disturbing timeliness of their Chicago-set drama.
Documentarian Penny Lane returns to our weekly interview podcast to talk about her deeply funny, insightful dive into The Satanic Temple.
The seventh annual Chicago Critics Film Festival includes a 35mm print of Alien, as well as festival faves like The Nightinggale and Yesterday.
Clint sits down with the producers of Knock Down the House, The Infiltrators and Won’t You Be My Neighbor? to find out what makes a great doc.
From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.
Chicago’s documentary film festival comes to a close with docs on the war in Ukraine and a cute little farm in SoCal.
Environmentalism, culture clash, and Satanism reign in Day 3 of Chicago’s doc festival.
Day 2 of Chicago’s documentary film festival displays films about iconic journalist Mike Wallace and the trials and tribulations of a family struggling to provide private EMT care in Mexico City.
Reassembled from previously-thought unusable Sydney Pollack footage, Alan Elliot cobbles together an arresting Aretha Franklin concert film.
Following the budding political careers of Alexandra Ocasio-Cortez and others, Rachel Lears presents a frequently-exciting doc about their rise to power.
I sit down with the Hugo award-winning author to talk about addressing female erasure in the space race and her work as a puppeteer.
The composer of the upcoming SXSW-bound horror comedy talks about her rock career, the Sundance Film Music and Sound Design Lab, and scoring with her voice.
Clint sits down with local Chicago filmmaker Michael Smith to talk about his latest indie comedy, and with regular Linklater composer Graham Reynolds about his work on Sundance darling Sister Aimee.