Abby McEnany’s autobiographical Showtime series is a wry, funny, deeply queer breath of fresh air.
Showtime’s sequel to the iconic LGBTQ+ series feels refreshing, if frustratingly centrist at times.
The Bette Midler/Lily Tomlin mistaken-identity comedy played a curiously strong role in one writer’s journey to queerness and leftism.
A look at Martin Scorsese’s misguided musical, and the underestimation of camp.
Kathy Bates brought depth, strength, and an unsettling, unknowable presence to two of the best Stephen King adaptations.