Perhaps the best of the Bond rip-offs, this 60s classic offers style, self-aware humor, and an iconic performance by James Coburn.
Four decades on, Ken Russell and Paddy Chayefsky’s psychedelic nightmare remains a testament to the perverse power of artistic conflict.
Francis Ford Coppola returns to his most iconic story with a re-edit of Part III that repairs the infamous original.
Robert Altman’s adaptation of the seminal comic strip remains a prime example of how to bring a cartoon to life in earnest.
David Fincher’s first feature may have angered people at the time, but it continues to prove equally daring as a sequel and a debut.
Jean-Luc Godard’s tale of fractured romance and love on the run, is one of the most fearsome, rebellious works of his career.
Pegged upon release as a retread of previous work, William Friedkin’s neo-noir is something altogether different.
An under-appreciated work from the filmmaker and a career rebound, Martin Scorsese’s screwball comedy remains one of a kind.
Sam Raimi’s collaboration with the Coen Brothers is an infamous disasterpiece, but there are nuggets of insight to be found.
A noticeable step up in their artistry at the time, the Coen brothers’ gangster pastiche remains the duo’s crown jewel.
Misinterpreted upon its release, Woody Allen’s 1980 comedy is a worthy riff on the likes of 8 1/2 and Sullivan’s Travels.
Something of an unsung classic, Tony Bill’s directorial debut precedes and exceeds its John Hughes peers of the era.
William Peter Blatty’s third entry in the vaunted horror series had a rocky road to the screen, and deserves its own stab at salvation.
David Lynch’s 1990 thriller remains a scintillating, if inessential, piece of the filmmaker’s gonzo catalog.
Jack Nicholson’s disastrously-received sequel to Chinatown is far more interesting than its reputation implies.
Say what you will about Kevin Costner’s disasterpiece, but it’s a reminder of the time when studios were willing to wade into uncharted seas.
Lawrence Kasdan’s 1985 throwback Western is overstuffed, but 35 years later boasts loads of charm.
Schumacher’s directorial debut is a silly, messy take on the restrictive gender roles of women in the household.