The latest Fast & Furious movie maintains a modest hold on the box office this weekend, while newcomer Scary Stories to Tell in the Dark makes a big splash for late-summer horror flicks.
Richard Linklater’s directorial debut about colorful weirdos introduced both a new word into the American vernacular & a talent to be reckoned with.
Hobbs & Shaw raced into theaters last weekend and racked up a respectable box office showing, while The Farewell continued its upward trajectory.
While “The Lion King” dropped like Mufasa off a cliff in its second weekend, “Once Upon a Time in Hollywood” kicked off Tarantino’s biggest opening.
Disney’s latest live-action remake ruled the kingdom, and other kid-friendly fare made a solid showing.
Marvel’s web-crawler predictably holds the box office, while The Farewell puts up a respectable showing for an A24 dramedy.
The box office performance of Spider-Man: Far From Home helps drag a slower movie summer out of its funk, while Toy Story 4 keeps chugging along.
Last weekend saw poor performance for the latest Conjuring flick, in a summer of diminishing returns for franchise sequels.
This weekend’s box office bode ill for Pixar’s Toy Story 4, which performed under expectations, and Child’s Play kicks off a modest opener.
A look at how Hollywood has helped (and hurt) the acceptance of bisexuality as an identity.
The film that made the Wachowskis a household name balanced dazzling special effects with a profound message about self-discovery.
On its tenth anniversary, we look back at McG’s abortive attempt to revamp the Terminator franchise.