CBS All Access has managed to create an anti-hero drama as unpleasant as it is dull.
Author: Tim Stevens
A strong grasp of grief and inner turmoil runs up against weak choreography and a closed-off lead character to make Zoey a frustrating near-miss.
David Fincher’s syrupy historical fantasy is as sumptuously filmed as it is shallowly written.
Gal Gadot remains great in the title role, but the sequel does too little, while doing too much, to match her.
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By stubbornly refusing to embrace subtlety or reject clichés, The Wilds ends up unapologetically great.
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Kathryn Bigelow’s hard-hitting cop thriller deconstructs the masculinity that often comes with police dramas.
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Dylan O’Brien turns the end of the world into a call for empathy in this sweet take on the genre.
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John Slattery solves crimes as a mad scientist genius in FOX’s creaky, familiar police procedural.
One of Sam Raimi’s early film-school shorts is a shaggy murder mystery soaked in future promise.