Finally out from under the shadow of its filmic inspiration, the Amazon series treads new ground in its second season.
Author: Tim Stevens
20 years later, Roland Emmerich’s Revolutionary War drama skewers U.S. history and Mel Gibson’s persona without trying to—or realizing it.
The black-sheep show of the DC Universe returns for a second season even more confident in its quirks.
IFC’s irreverently absurd Soul Train pastiche returns for a one-off special as inventive as it is occasionally overlong.
Gus Van Sant’s remake of the Alfred Hitchcock classic is a cut-and-paste exercise that plays like little more than a rehash of the original.
The return of Netflix’s adult animated sitcom brings with it a few moving moments and arcs, but it’s too lacking in laughs.
Gus Van Sant’s second feature is a stylish but sensitive and non-judgmental look at drug addiction.
Marcus Nispel’s confused, uninspired revamp of the franchise stresses the importance of not touching Jason’s stash of sticky-icky.
Netflix’s new music drama has enough style and strong performances to overcome its padding in this eight-episode season.
Netflix’s new teen drama is more CW than anything else, and doesn’t offer much else than overstuffed teen […]
This feel-good doc charts the lives and trajectories of disabled teenagers in the ’60s, and how one summer camp changed their lives forever.
A riveting portraint of post-9/11 New York City, Spike Lee’s scintillating crime drama is one of his most intriguing explorations.
Netflix’s latest overstuffed fantasy adaptation is a challenge for viewers’ time & patience.
Vin Diesel nicely keys into more stoic shootouts, but the movie around him can’t weld together its medley of genre inspirations.
Jonathan Demme’s remake of the 1962 classic is as notable for its look at political dehumanization as it is its modernization.
The third season of the NBC comedy-drama struggles to find a tone, but excels in depicting the every day issues of the working class.
Netflix’s adaptation of the Joe Hill comic series takes a while to get going, but hits a dark-fantasy stride by the end.
Though its glacial pacing & elliptical dialogue challenges the audience, Jarmusch’s 2009 crime thriller is its own fascinating beast.