CBS All Access has managed to create an anti-hero drama as unpleasant as it is dull.
A strong grasp of grief and inner turmoil runs up against weak choreography and a closed-off lead character to make Zoey a frustrating near-miss.
David Fincher’s syrupy historical fantasy is as sumptuously filmed as it is shallowly written.
Gal Gadot remains great in the title role, but the sequel does too little, while doing too much, to match her.
From BoJack to What We Do in the Shadows, we break down the TV that got us through a hellish year.
By stubbornly refusing to embrace subtlety or reject clichés, The Wilds ends up unapologetically great.
Impressive new technology powers Earth at Night in Color but may be wasted on the seemingly intended audience.
Nearly eight years later, Zero Dark Thirty continues to court controversy by stubbornly refusing to argue for or against the lengths America took to find Osama bin Laden.
The cast of the popular 90’s sitcom comes together for an oddly bittersweet look back.
HBO Max’s adaptation of the Philip Pullman novels seems disinterested in examining its characters upon its return.
Christopher Landon is back with another gleefully gory twist on the slasher genre, with a fun Vince Vaughn at the center.
Kathryn Bigelow’s hard-hitting cop thriller deconstructs the masculinity that often comes with police dramas.
After digressing from the horror genre, Sam Raimi’s 2000 effort marked an affecting supernatural tale with solid performances.
Sam Raimi’s most forgettable director-for-hire job is a painfully earnest baseball drama starring Kevin Costner.
Dylan O’Brien turns the end of the world into a call for empathy in this sweet take on the genre.
The pre-Disney era of Marvel TV finally comes to a close in the most mundane, workmanlike way possible.
John Slattery solves crimes as a mad scientist genius in FOX’s creaky, familiar police procedural.
One of Sam Raimi’s early film-school shorts is a shaggy murder mystery soaked in future promise.