After digressing from the horror genre, Sam Raimi’s 2000 effort marked an affecting supernatural tale with solid performances.
Sam Raimi’s most forgettable director-for-hire job is a painfully earnest baseball drama starring Kevin Costner.
Dylan O’Brien turns the end of the world into a call for empathy in this sweet take on the genre.
The pre-Disney era of Marvel TV finally comes to a close in the most mundane, workmanlike way possible.
John Slattery solves crimes as a mad scientist genius in FOX’s creaky, familiar police procedural.
One of Sam Raimi’s early film-school shorts is a shaggy murder mystery soaked in future promise.
Gillian Flynn’s new Prime series is an ambitious saga that offers loads to chew on, assuming you can handle the bleakness of it all.
A treacly Lost pastiche about astronauts and the lives left behind on an interstellar mission gives way to surprisingly humanistic highs.
Robert Rodriguez’s official arrival on the major-studio film scene remains a riotous, stylish pulp actioner.
Jason Sudeikis adapts his NBC Sports commercial character to a slow-burn comedy that eventually finds its groove.
Rough around the edges but fascinating nonetheless, Park Chan-wook’s breakout hit remains a signal of his later work.
The second season of Netflix’s comic-book adaptation sends its fractured superhero family into the past, to mixed results.
Joel Schumacher’s cracked tableau of New York City’s shifts at the turn of the millennium remains a time capsule in the guise of a neo-noir.
Joel Schumacher’s ninth feature adapts John Grisham’s usual action nonsense with depth & sensitivity.
Finally out from under the shadow of its filmic inspiration, the Amazon series treads new ground in its second season.
20 years later, Roland Emmerich’s Revolutionary War drama skewers U.S. history and Mel Gibson’s persona without trying to—or realizing it.
The black-sheep show of the DC Universe returns for a second season even more confident in its quirks.
IFC’s irreverently absurd Soul Train pastiche returns for a one-off special as inventive as it is occasionally overlong.