The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers’ latest film.
The composer discusses the film’s long road to release, and the airiness of his score to Lee Isaac Chung’s mesmerizing drama.
The Parquet Courts musician talks about the sparse, but effective score for Ben Hozie’s camgirl drama.
Small Axe music supervisor Ed Bailie talks to us about filling Steve McQueen’s five-part anthology with the grooviest, most authentic tunes.
The composer of the latest David Attenborough nature documentary talks about building the sounds of planet Earth.
The Grammy-winning jazz legend talks about capturing the 1920s blues of Netflix’s latest awards contender.
The composer duo talks about their years-long collaboration and the sparse, airy score to Francis Lee’s queer romance.
The composer returns to the podcast to discuss his third collaboration with Errol Morris and the challenges of recording scores during a pandemic.
The director and composer of the Jude Law-Carrie Coon drama The Nest sit down to talk about their collaboration.
Rebekka Karijord and Jon Ekstrand talk about the complex process behind scoring Hulu’s Greta Thunberg documentary.
The LA-based musician reminisces on his work on the idiosyncratic AMC dramedy, and how its psychedelic sounds reflect on his new solo work.
The composer for Charlie Kaufman’s latest talks to us about dream ballets, the strangeness of small towns, and the business of film composing.
The Afropunk musician-turned-composer talks to us about diving into the complicated musical psyche of Shirley Jackson.
The acclaimed sitcom writer and food traveler talks about cultivating joy and hunger during challenging times.
The composer talks about joining Amazon’s acclaimed mystery series for its second season.
The cinematographer behind much of HBO’s Westworld and TNT’s Snowpiercer talks about the rocky road to filming two disparate sci-fi dystopias.
The veteran actress discusses her early turn in Nancy Kelly’s recently-restored feminist Western Thousand Pieces of Gold, and her career since.
The director of Driveways talks about crafting his second film, finding grace in human connection, and working with the late, great Brian Dennehy.