J Categories Interviews More of a Comment Really Movies Podcasts March 13, 2021 Jermaine Stegall on giving voice to Zamunda in “Coming 2 America” The Coming 2 America composer talks about finding the sound of Zamunda and the need for opportunities for Black composers.
A Categories Interviews More of a Comment Really Movies Podcasts March 5, 2021 A conversation with “The World to Come” composer Daniel Blumberg The avant-garde musician talks about his first foray into the world of feature film scoring, and the experimental, yearning score that followed.
H Categories Interviews More of a Comment Really Movies Podcasts February 26, 2021 How Henry Jackman crafted the experimental score for “Cherry” The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers' latest film.
E Categories Interviews More of a Comment Really Movies Podcasts February 15, 2021 Emile Mosseri on capturing amorphous time in his score for “Minari” The composer discusses the film's long road to release, and the airiness of his score to Lee Isaac Chung's mesmerizing drama.
A Categories Interviews More of a Comment Really Podcasts February 6, 2021 Austin Brown logs on to talk about the music of “PVT CHAT” The Parquet Courts musician talks about the sparse, but effective score for Ben Hozie's camgirl drama.
A Categories Interviews More of a Comment Really Movies Podcasts January 16, 2021 Assembling the Black music soundscapes of Steve McQueen’s “Small Axe” Small Axe music supervisor Ed Bailie talks to us about filling Steve McQueen's five-part anthology with the grooviest, most authentic tunes.
I Categories Interviews More of a Comment Really Podcasts TV January 8, 2021 Ilan Eshkeri on setting the Earth to music in “A Perfect Planet” The composer of the latest David Attenborough nature documentary talks about building the sounds of planet Earth.
B Categories Interviews More of a Comment Really Movies Podcasts December 18, 2020 Branford Marsalis on finding the sound of “Ma Rainey’s Black Bottom” The Grammy-winning jazz legend talks about capturing the 1920s blues of Netflix's latest awards contender.
T Categories Interviews More of a Comment Really Movies Podcasts December 11, 2020 The composers of “Ammonite” on putting forbidden romance to music The composer duo talks about their years-long collaboration and the sparse, airy score to Francis Lee's queer romance.
P Categories More of a Comment Really Movies Podcasts November 28, 2020 Paul Leonard-Morgan on “My Psychedelic Love Story” and composing during COVID The composer returns to the podcast to discuss his third collaboration with Errol Morris and the challenges of recording scores during a pandemic.
