Lou brings forth an underwhelming soul
Mostly stagnant direction trips up an otherwise decent woman of war, played with intensity by Allison Janney.
Mostly stagnant direction trips up an otherwise decent woman of war, played with intensity by Allison Janney.
The composer of the Netflix thriller talks about building texture into Allison Janney’s dark night of the soul.
An undeniably impressive cast can’t overcome the empty spectacle at the heart of Palm Royale, AppleTV+’s period dramedy.
New Boys? New Star Trek/Wars? A Succession successor? Color us interested.
From indie melodramas to animated tales of displaced shells, this year’s critics-curated festival offers up a Midwestern answer to the big boys.
Andrea Riseborough and Marc Maron shine in a study of a one-time lottery winner years after her life has gone bust.
Only diehard Hoffman completists need to see his appearance in the movie spinoff of the poorly aged Comedy Central cult sitcom.
David Fincher’s Facebook drama remains a bright spot in Aaron Sorkin’s filmography in how it skewers male entitlement.
The Thoroughbreds director struggles to mix his sardonicism into a script about the biggest financial scandal in public school history.NOW STREAMING: Powered by JustWatch In a dark administrative office lit with cathode monitors and fluorescence, Superintendent Frank Tassone (Hugh Jackman) prepares to chum it up with a bunch of colleagues. The administrator, Pam Gluckin (Allison … “Bad Education” Is a Slight Sophomore Slump for Cory Finley
Amazon Prime’s girl scout comedy wastes its cast and period setting to make for an involving, generically cute indie.
Despite getting off on the wrong foot, Sam Mendes’s oft-forgotten dramedy remains a salient look at 2000s anxieties as often seen onscreen.
We cross-over with the Debating Doctor Who podcast to figure out which Christmas Special (and their stars) deserves a spot on the Hall of Faces.
Sam Mendes’ Best Picture winner is a flawed but evocative time capsule of ’90s middle-age anxiety.
From Jed Bartlet to CJ Cregg to Losh Lyman, we elect one of Aaron Sorkin’s quick-witted White House wonks from The West Wing to our Hall of Faces.
This animated reboot of TV’s spookiest family plays its kid-friendly scares a bit too safe.
Octavia Spencer reunites with the director of The Help, and this time she’s serving worse things than a “chocolate pie”.