People Filling Space: India Donaldson and Lily Collias on Good One
The writer/director and star discuss the horrors and unsaid tensions of the coming-of-age Sundance favorite.
The writer/director and star discuss the horrors and unsaid tensions of the coming-of-age Sundance favorite.
Tessa Thompson and Lily James are two sisters struggling with rural poverty and difficult choices in this gripping, but uneven drama.
Wheatley’s adaptation of the classic gothic novel frequently looks lush, but can’t back up its visuals
Simon Stone crafts an exquisite drama about the importance of history on our personal and societal stories, anchored by beautiful turns from Carey Mulligan and Ralph Fiennes.
Ben Wheatley’s take on the Daphne du Maurier gothic romance doesn’t surpass Hitchcock’s, but it’s a well-made mental getaway.
Last weekend saw poor performance for the latest Conjuring flick, in a summer of diminishing returns for franchise sequels.
Richard Curtis envisions a world without The Beatles, then promptly ignores it in favor of yet another treacly love story.
This year will play catch up with the strikes, try to revitalize or continue long-running franchises, and give directors and new and old the steam to keep filling theaters.
We celebrate the British filmmaker taking his biggest swipe yet at the mainstream this month with Meg 2: The Trench by declaring him our Filmmaker of the Month.
The dystopian portrait of the United States now feels ironically naïve, a reality that makes it more deeply unnerving than when it first hit theatres.
From blood-soaked horror sequels to probing documentaries, this year’s fest has a lot to offer.
From anticipated followups by acclaimed filmmakers to exciting debuts by new voices, here’s a shortlist of what to catch at this year’s fest.
Silent Night’s admittedly intriguing blend of bleaker-than-bleak comedy and holiday spirit is undermined by noxious writing and characters.
Dwayne Johnson and Emily Blunt have a grand old time in this derivative but fun throwback adventure.
It remains to be seen if Marvel’s latest TV spinoff can capture audiences’ attention as well as its predecessor.
Amazon Prime’s latest series tries for gritty crime thriller, but ends up in unintentional camp territory.
Paul Dano’s directorial debut, Nancy Kelly’s feminist Western & more number among May’s physical media releases.
PBS’ adaptation of Jane Austen’s final, unfinished novel is a pretty but mostly overstuffed soap opera.
A surprisingly solid performance by Zac Efron is wasted on an uneven drama about why chicks dig Ted Bundy.
HBO’s latest is a didactic lecture of a Brexit primer whose handsome performances hide a smug political nihilism.