With Barbie, Greta Gerwig shows how well she can play with dolls
Margot Robbie fills the plastic heels of the iconic girls’ doll in Gerwig’s bubbly, socially-conscious comedy.
Margot Robbie fills the plastic heels of the iconic girls’ doll in Gerwig’s bubbly, socially-conscious comedy.
Asteroid City, Metalocalypse, Impulse, Jon Moritsugu and More!
Hollywood never tires of talking about itself, but Damien Chazelle’s Babylon is entertaining as hell.
DC finally recovers from its worst movie with a followup that leans into the irreverent comic-book mayhem of its source material (and its director).
Bruce McDonald’s crime drama/thriller/horror movie is a riddle wrapped in a mystery inside a NyQuil-induced hallucination.
The DCEU embraces its inner Bugs Bunny, and is all the better for it.
Who should win, who will win, and who was left out.
This year’s slate of BAFTA nominations makes clear the need for more marginalised voices in the British film industry.
From Ad Astra to Us, we celebrate the cream of the cinematic crop in 2019.
Jay Roach’s retelling of the Fox News harassment scandal has sufficient momentum and typically strong performances to largely overcome its undercooked politics.
Quentin Tarantino’s ninth film is a sun-soaked return to his roots, an energetic elegy for Old Hollywood that plays fast and loose with its history.
While it won’t win any awards for historical accuracy, Josie Rourke’s royal drama shines thanks to some gorgeous cinematography and the performances of Saiorse Ronan and Margot Robbie. This piece was originally posted on Alcohollywood Whenever someone watches a Hollywood movie that focuses on a historical figure, they must ask themselves, “how important is accuracy?” … Mary Queen of Scots Review: A Riveting, if Ahistorical, Royal Drama
Ryan Gosling and Emily Blunt charm and thrill—carrying The Fall Guy over the gap between its thin script and its joyful execution.