Drive-Away Dolls rides a fun but bumpy road
Ethan Coen goes solo for a raunchy, silly comedy-thriller.
Ethan Coen goes solo for a raunchy, silly comedy-thriller.
This year will play catch up with the strikes, try to revitalize or continue long-running franchises, and give directors and new and old the steam to keep filling theaters.
Blitz Bazawule’s adaptation of the Alice Walker classic (and the Broadway musical) is a more joyful, celebratory film than its predecessor.
Though it’s a slight improvement on its predecessors, the fightin’ robot franchise still feels stale & tired.
Nia DaCosta’s long-awaited horror sequel uses its unorthodox approaches to make for an unspooling nightmare that’s hard to shake.
Not at all what the doctor prescribed, unless you’re looking for a way to feel even worse about health care.
The Grammy-winning jazz legend talks about capturing the 1920s blues of Netflix’s latest awards contender.
Viola Davis and the late, great Chadwick Boseman turn in impressive performances in George C. Wolfe’s vibrant adaptation of the August Wilson play.
Janicza Bravo’s retelling of the 2015 viral Twitter thread boasts great performances and surprisingly solid filmmaking, even if it ends on a shrug.
Barry Jenkins’ sensitive, lyrical adaptation of James Baldwin’s novel is one of the year’s best, most tragic romances.