Janicza Bravo’s retelling of the 2015 viral Twitter thread boasts great performances and surprisingly solid filmmaking, even if it ends on a shrug.
New films by Julie Taymor, Dee Rees, and Justin Simien mix with fascinating new docs and debut features in our list of Sundance 2020 must-sees.
Alejandro Landes’ tense, probing portrait of child soldiers keeps its messages as muddy as its setting.
Our Sundance coverage wraps up with a triple feature of a 1980s art-school personal essay, a documentary from China, and a haunting child-soldier tale.
Francis Ford Coppola’s re-edit of his troubled gangster musical reveals a masterwork.
From meta commentary to social commentary, Wes Craven’s final film is a bundle of cinephilic sarcasm that was ahead of its time.
The fight adapted to COVID-19 restrictions by embracing the experimental and avant-garde.
The former Great British Bake-Off hosts retool themselves as witty assassins in a cute, if scattershot, series of vignettes.
Schumacher’s directorial debut is a silly, messy take on the restrictive gender roles of women in the household.
Perry Mason crams a whole lot of story into Chapter Three, almost to its detriment.
Hulu’s spinoff of Love, Simon has a shaky start, but ultimately offers value to queer youth searching for guidance.
Paul Verhoeven’s wild sci-fi action thriller remains a one-of-a-kind look at a bleak & plausible future.
Despite solid performances all around, the episode struggles with tone, plotting & what kind of show it wants to be.
Showtime’s sequel to the iconic LGBTQ+ series feels refreshing, if frustratingly centrist at times.
Apple TV+ adds another just okay series to its lineup, psychological horror produced by M. Night Shyamalan.
The lies & deception are piling up like FAM boxes as Cody dedicates himself yet again to the holy church of Obie.
Allison Tolman brings warmth to an otherwise traditional pilot for ABC’s new sci-fi mystery series.
The latest entry in this unlikely franchise about an endlessly reincarnating dog is as treacly as it is exhausting.