Les Misérables Review: France Is Dead, Vive la France
Ladj Ly’s feature debut mines neorealism to solid effect, but its contrivances prevent it from making a fully-realized social comment.
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“Homemade” peeks in on arthouse filmmakers during lockdown
Netflix and producer Pablo Larraín offers a modest glimpse of quarantine life that can’t escape the privilege of its authors.
“Fade to Black” is creepy, funny & prescient
The underrated psychological thriller turns 40 & finds a new audience on Shudder.