Tuesday tackles the heaviness of death with a feather-light touch
Daina Oniunas-Pusić’s singular debut feature migrates across space and scale with poignant ease.
Daina Oniunas-Pusić’s singular debut feature migrates across space and scale with poignant ease.
Asteroid City, Metalocalypse, Impulse, Jon Moritsugu and More!
Nicole Holofcener finds hilarity in insecurity with this exploration of marriage, creativity, and honesty.
A stacked cast can’t save Kenya Barris’ stale & sluggish race relations comedy.
From anticipated followups by acclaimed filmmakers to exciting debuts by new voices, here’s a shortlist of what to catch at this year’s fest.
Pixar gets back to its tear-jerking roots with an emotionally complex modern fantasy about grief, loss, and brotherhood.
Everyone’s favorite talking hedgehog burns up a $57 million opening weekend at the box office, while Birds of Prey experiences the typical second-weekend slump.
Nat Faxon & Jim Rash’s remake of Ruben Östlund’s 2014 dramedy is a dragged-out rehash that oversimplifies its point—and then loses it.
From HBO (Chernobyl, Watchmen, Succession) to Netflix (Russian Doll, The Crown, Stranger Things) and beyond, we break down the best TV of the year.