Downhill Review: “Force Majeure” Turned Film Mineur
Nat Faxon & Jim Rash’s remake of Ruben Östlund’s 2014 dramedy is a dragged-out rehash that oversimplifies its point—and then loses it.
Nat Faxon & Jim Rash’s remake of Ruben Östlund’s 2014 dramedy is a dragged-out rehash that oversimplifies its point—and then loses it.
Overlooked by most audiences upon release, Smiley Face puts a much-needed feminine spin on the stoner hangout comedy.
The ensemble really is quite good, but they’re let down by a poor script that insists on a moral it doesn’t do the work to earn.
Jason Mantzoukas loses his memory and steals the show. Well, this was a lot of fun. This week’s episode of Brooklyn Nine-Nine is all about how necessary it can be to clear the air with the people you spend most of your time around, how heavy a secret can weigh, and of course, why Christopher … Brooklyn Nine-Nine: “Pimento” Goes Memento
On the Emmys, learning to appreciate fine dining, and growing beyond the need for chicken smoothies.
The best films of the year include gritty crime dramas, auteurs returning with bold new works, and quirky comedies.
Barbie, Freaks, ALF, and much more!
A unique take on alien invasion gets too distracted to say much about any of its preoccupations.
Despite their hue, not all TMNT films deserved to be greenlit.
Are You There God? It’s Me Margaret, Shin Ultraman, The Watermelon Woman, and More
With season 5 starting this week, we attempt the fool’s errand of narrowing down the greatest episodes (so far) of the greatest sitcom.
Like Nick Fury himself, the MCU’s newest series limps out of the gate in “Resurrection.”
Gregg Araki dissects how identity turns to apathy in his hyper-stylized second part of the Teenage Apocalypse Trilogy.
As the election looms, the Roys and their circle try to celebrate. Naturally, it does not go as planned.
Because in the world of streaming, nothing lasts forever.
The tragicomedy/romance film nails the wonder of new love and the inevitability of relationship pain.
Lalo’s hunt for Gus Fring puts Jimmy and Kim in the line of fire in a masterclass of terror and foreboding.
The latest Netflix import provides a lesson in French politics along with some fun action.
Despite its lavish appearance, Kenneth Branagh’s second take on Agatha Christie barely justifies its existence.
Who is this co-opting of the activist athlete’s message for, exactly?
Amazon’s new I Know What You Did Last Summer adaptation blazes its own trail but risks losing viewers in the bargain.