Long Shot Review: Rogen and Theron Spin the Stoner Rom-Com Into Gold
Against all odds, Jonathan Levine manages to transform a stoner comedy with Seth Rogen and Charlize Theron into a charmingly sweet political romance.
Against all odds, Jonathan Levine manages to transform a stoner comedy with Seth Rogen and Charlize Theron into a charmingly sweet political romance.
This year will play catch up with the strikes, try to revitalize or continue long-running franchises, and give directors and new and old the steam to keep filling theaters.
Netflix’s latest Gal Gadot project reveals the shallowness of their action brand and her acting commitment.
The series leans ever harder into goofy maximalism with bigger stunts, an overwhelmingly huge cast, and Jason Momoa having the time of his life.
Max’s latest docudrama is just one of many times real-life killers have been given attractive makeovers for TV
The iconic kooky and spooky family hits a new low in big-screen excursions.
Gina Prince-Bythewood’s nuanced, layered comic book actioner finds character among its expert choreography.
George Miller’s post-apocalyptic series is just as much about learning to communicate as it is learning to survive in the desert wastes.
Who should win, who will win, and who was left out.
Jay Roach’s retelling of the Fox News harassment scandal has sufficient momentum and typically strong performances to largely overcome its undercooked politics.
This animated reboot of TV’s spookiest family plays its kid-friendly scares a bit too safe.
A look at how Hollywood has helped (and hurt) the acceptance of bisexuality as an identity.
We take a look at the state of female-led superheroes up to this point, from the lows of Catwoman to the highs of Wonder Woman and Captain Marvel.
Viola Davis heads an excellent cast in Gina Prince-Bythewood’s exhilarating action movie.
Chloé Zhao’s admirable effort to tell an intriguing morality play about the burden of godhood is hampered by all the CG business required of its cinematic universe.
The Netflix Action Movie Industrial Complex continues abated with a deeply mediocre military thriller that can’t get a handle on its lukewarm critique of drones.