SXSW 2022: To Leslie is familiar, but its eye is unflinching and its compassion deep
Andrea Riseborough and Marc Maron shine in a study of a one-time lottery winner years after her life has gone bust.
Andrea Riseborough and Marc Maron shine in a study of a one-time lottery winner years after her life has gone bust.
A solid first half and great work from Andrea Riseborough aren’t quite enough to make up for Zeina Durra’s Egyptian indie.
MAX’s Kate Winslet-starring series doesn’t offer the sharpest satirical jabs, but there’s something to be said for being funny & frightening.
Shyamalan’s latest and a couple of Criterions about female bonds at different ages highlight this month’s new physical media releases.
A few films to thrill the blood and stir the loins at Montreal’s premiere genre film festival.
From indie melodramas to animated tales of displaced shells, this year’s critics-curated festival offers up a Midwestern answer to the big boys.
Tales of poverty, paranoia, and adolescences framed by tragedy cap off SXSW’s Narrative Feature Competition.
Amazon’s adaptation of the Roberto Saviano novel is far too passive and jumbled to capture your interest.
Brandon Cronenberg’s second feature is a po-faced collection of genre tropes that wastes its cast and a modest sense of style.
New films by Julie Taymor, Dee Rees, and Justin Simien mix with fascinating new docs and debut features in our list of Sundance 2020 must-sees.
Nicolas Pesce’s 2020 extension of the Japanese horror franchise is maybe its most leaden, unscary entry yet.
Gena Radcliffe and Beau North dig into a dozen gruesome, bloody tales of love and horror this Valentine’s Day.