The Morning Show returns for more self-important nonsense
The third season of Apple TV’s daytime news series makes for some excellent hate-watching, & not much else.
The third season of Apple TV’s daytime news series makes for some excellent hate-watching, & not much else.
“Time to Fly” keeps things moving, but might be failing to makes its case to viewers, not just Senators.
Fantasa International Film Festival gets wild.
Are You There God? It’s Me Margaret, Shin Ultraman, The Watermelon Woman, and More
A hilarious high-concept farce gives way to a subtle commentary on prejudice, self-acceptance, and quiet strength.
Season 2’s debut sidelines the senior officers for a Spock-centered adventure that pays tribute to his Vulcan bearing but also his undeniable humanity.
Tom Holland and Amanda Seyfried do the work but are hamstrung by cliché and overvaluing surprise over character development.
One of the best series of the 20s closes on a realistically somber note, where even winning feels like losing.
As the election looms, the Roys and their circle try to celebrate. Naturally, it does not go as planned.
Writer/director Alexis Jacknow’s feature debut boasts strong craft and a stupendous, frightening turn from Diana Argon as a woman coming undone.
Reject modernity, embrace physical media.
AppleTV+’s musical comedy leaps into more complex musical pastiches with mixed results.
The era of The Disgusting Brothers has begun.
The landmark action franchise finds new ways to top itself, in a closing chapter as bombastic as it is bloody and balletic.
A surprising coda to an episode of The Next Generation resolves lingering issues while advancing the current story.
After flirting with justifying its unreliable narrator, the show reminds viewers of exactly who he is once again.
The writer-director makes a horror film a metaphor for parenting with surprisingly resonant results.
M. Night Shyamalan’s alien invasion saga draws its power as much from the perception and presentation of the invasion as it does the event itself.
The question of whether to turn over a familiar rogue to the bad guys echoes classic beats from The Next Generation.
Netflix’s dark stalker dramedy heads across the pond to encounter a new strain of awful rich people.
A pair of films out of the festival chronicle friendships new and old with differing degrees of success.