Inside Out 2 is a charming and mostly moving return to a person’s mind
Pixar’s latest sequel is another one of the studio’s pleasant, but hardly groundbreaking, followups.
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A delayed Afterparty Season 2 still deserves an RSVP
An awkward opener and a few months late arrival do little to dampen AppleTV+’s extremely fun murder-mystery series.
Black Bird flies over predictable ground, occasionally soars
AppleTV+’s newest drama puts strong acting and writing towards another story of young women victims and the people who fight for them.
“Cruella” is perfectly wretched for what it is
The obligatory reinvention of the Disney villain juggles its plots and characters alongside typically solid work from Emma Stone.
“Songbird” is a pandemic thriller that never sings
Adam Mason’s near-future COVID tale is an unnecessary idea made worse by a rushed script and cheap production values.
Richard Jewell Review: Jewell of Denial
Clint Eastwood’s latest tests the limits of perception, even as it loses the script with its portrayal of the media.
BlacKkKlansman is Spike Lee as His Most Confrontational, Outrageous, and Timely
Spike Lee’s latest is one of his best, a funny, soulful blaxploitation-infused take on the ways the racism of America’s past ripples through into its present and future. This piece was originally posted on Alcohollywood Spike Lee is no stranger to didacticism. From Do the Right Thing to Chi-Raq to Malcolm X, his works are … BlacKkKlansman is Spike Lee as His Most Confrontational, Outrageous, and Timely