Fast X is a big, silly gear shift toward the end of the road
The series leans ever harder into goofy maximalism with bigger stunts, an overwhelmingly huge cast, and Jason Momoa having the time of his life.
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“Sweet Girl” is decidedly sour where it counts
Jason Momoa tries to fight Big Pharma in Netflix’s latest limp action thriller.
Aquaman and the Lost Kingdom is a silly, shallow bow for the DCEU
A decade’s worth of superhero movies goes out with a big, stupid grin on its face.
What’s New on DVD/Blu-ray in August
Asteroid City, Metalocalypse, Impulse, Jon Moritsugu and More!
Netflix’s Slumberland is a CGI snoozefest
This twist on Little Nemo is a muddled and sloppy mess.
Dune may not hold your hand, but it might blow your mind
Denis Villeneuve’s adaptation of (the first half of) Frank Herbert’s novel is as ambitious in scope as it is difficult to unpack.
“Zack Snyder’s Justice League” is a worthy film with a fraught history
The ambitious-as-hell, occasionally lovely superhero epic comes with a whole lot of baggage.
Exploring the ever-diminishing returns of the “Crow” franchise
While the first movie in the series was stylish & unexpectedly moving, it was tainted by cheap, empty sequels that forgot what made it special.
Breaking down the trailer for Denis Villeneuve’s “Dune”
We sift through the sands of Arrakis to find the nuggets of spice in the trailer for Denis Villeneuve’s sprawling space epic Dune.
See Review: Avert Your Eyes From Apple TV+’s Latest
If you can’t use your eyes to see, you might as well roll them at Apple TV+’s hokey dystopian drama.
Aquaman Review: James Wan Drags the DCEU Out of the Depths
The latest DCEU movie makes waves, but succumbs to the undertow of the series’ previous mistakes.
Thelma sets a senior citizen on an Impossible Mission
Josh Margolin’s charming action-comedy lets June Squibb have the kind of “still got it” energy as Tom Cruise.
For Tom Cruise, Mission: Impossible is as much about moviemaking as it is about spectacle
From De Palma’s series launcher on, Cruise has used the tales of Ethan Hunt to ponder the nature of cinema as performance, perception, and manipuation.