Brian De Palma’s bizarro, big-budget blastoff is rocky, but it remains an effectively fun entry in the director’s filmography.
Jack Henry Robbins directs a charmingly off-beat feature that combines Millennial absurdist humor with tenderhearted 80s nostalgia.
Todd Haynes steps outside of his wheelhouse with a well-intentioned, but messy piece of narrative journalism.
The all-encompassing Stephen King series introduces Misery and Salem’s Lot to the mix.
Adam Egypt Mortimer’s bleak second feature depicts mental illness as an supernatural battle for one’s soul.
Producer Allan Carr’s legendary disco disaster turns 40 this year, and fails to maintain even “so bad it’s good” status.
Gus Van Sant’s queer Western was received with scorn by critics when it first came out, but its celebration of the abject deserves reconsideration.
Kitty Green’s latest incisively explores the systems that protect predators, resulting in something more than a simple Weinstein allegory.
Max Lewkowicz directs a heartfelt but thin documentary about the creation of a timeless Broadway classic.
Netflix’s latest original series follows a dysfunctional family of superheroes fighting the apocalypse – and each other.