Kenneth Branagh finally finds his footing with A Haunting in Venice
The director-star’s newest effort proves the best of his Hercule Poirot mysteries.
The director-star’s newest effort proves the best of his Hercule Poirot mysteries.
Netflix’s latest Gal Gadot project reveals the shallowness of their action brand and her acting commitment.
From Annette to Zola, we break down the best movies of the year.
Kenneth Branagh directs a moving film about a working class Irish family impacted by the Troubles.
In challenging times, a movie with a talking crab can be a balm for the soul.
“Death and Nightingales” – a star-studded miniseries adaptation of Edmund McCabe’s novel, is brilliantly acted but trips over its bleakness.
Kristen Wiig and Annie Mumolo dust off their Bridesmaids bona fides for a strange sketch-comedy stretched surreally to feature length.
The filmmaker talks to us about the brogues and narrative choices that have dominated the discourse around his filmed adaptation of his Broadway play.
John Patrick Shanley returns with a miscast, disingenuous tale of Irish star-crossed lovers.
Aaron Moorhead and Justin Benson continue their hot streak of inventive, idiosyncratic science fiction with a refreshingly heartfelt time-travel thriller.
To no one’s surprise, the third and final adaptation of E.L. James’ bodice-rippers promises steam, but delivers vapor. This piece was originally posted on Alcohollywood The Fifty Shades of Grey franchise is at once one of the most baffling smash hits in pop culture, and also the most understandable. E.L. James, adapting her AU Twilight … REVIEW: Fifty Shades Freed