A surprisingly insightful, sensitive entry in the MCU explores Tony Stark’s battle with guilt & PTSD.
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Jon Favreau’s 2010 followup to the first film in the Marvel Cinematic Universe also shows the weaknesses of worldbuilding over structure.
Brian De Palma’s bizarro, big-budget blastoff is rocky, but it remains an effectively fun entry in the director’s filmography.
The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.