Secret Invasion whispers well but moves too slow
Like Nick Fury himself, the MCU’s newest series limps out of the gate in “Resurrection.”
Like Nick Fury himself, the MCU’s newest series limps out of the gate in “Resurrection.”
Noah Baumbach directs a smug & obvious adaptation of Don DeLillo’s wry social satire.
From Soderbergh’s steamy thriller to Australian stunt mockumentaries, Kino Lorber’s recent offerings help you beat the heat.
PSH makes the most out of sparse screentime in Paul Thomas Anderson’s 1997 classic.
Warner Bros. makes a feature-length commercial for itself that does an adrift LeBron James, and HBO Max’s back catalog of bizarre creations, a grave injustice.
America’s first furtive step into returning to in-person film festivals is coming soon — and here’s what we’re looking forward to.
It remains to be seen if Marvel’s latest TV spinoff can capture audiences’ attention as well as its predecessor.
A surprisingly insightful, sensitive entry in the MCU explores Tony Stark’s battle with guilt & PTSD.
Jon Favreau’s 2010 followup to the first film in the Marvel Cinematic Universe also shows the weaknesses of worldbuilding over structure.
Brian De Palma’s bizarro, big-budget blastoff is rocky, but it remains an effectively fun entry in the director’s filmography.
The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.