No Time to Die shakes up the Bond franchise but fails to stir
Even as it makes bold steps toward the future, Daniel Craig’s swan song as 007 feels like a frustrating hodgepodge of the films that came before it.
Even as it makes bold steps toward the future, Daniel Craig’s swan song as 007 feels like a frustrating hodgepodge of the films that came before it.
Hulu’s entry in the massive cast mystery trend starts with sexy confidence before collapsing under its own weight.
Benoit Blanc returns to solve another crime in Rian Johnson’s cluttered but funny mystery.
Colin Trevorrow injects plenty of dinos and nostalgia to the series, but not much else.
The snow’s coming down, but no one can seem to get their Christmas plans right.
The 2011 adaptation of Stieg Larsson’s hit novel does right by its investigators but drags out the story around them.
While Skyfall was a rousing success, Mendes’ return to the Bond franchise, bogs itself down in tiresome lore and continuity.
Sam Mendes powers his leading ladies to metatextual heights in his first Bond outing.
Sam Mendes’ Depresson-era gangster fable is as effective as it is in-your-face with its aesthetics.
From Ad Astra to Us, we celebrate the cream of the cinematic crop in 2019.
The Stephen King sequel checks out with a disappointing opener, but Roland Emmerich’s WWII epic flies high.
Our penultimate CIFF dispatch breaks down Rian Johnson’s star-studded caper Knives Out, the Georgian queer drama And Then We Danced…, and more.
The Tarell Alvin McRaney-penned basketball drama highlights the commodification of young black men both on and off the court.
Lisbeth Salander returns, this time played by Claire Foy, in a slick but shallow sequel that trades in the series’ nuance for Bond-ian action. This piece was originally posted on Alcohollywood Pre-screening chatter before The Girl in the Spider’s Web all seemed to center on the same questions: “What happened in the last movie?” “Is … The Girl in the Spider’s Web Review: Lisbeth Slander gets an action hero makeover
This piece was originally posted on Alcohollywood Now that awards season is around the corner, everyone’s talking about their top ten films of this past year. With so many smart, insightful critics putting out lists that look very similar to mine, I thought I’d do something different. Enough people have rightly piled on the praise … Our Next Top 10 Films of 2017
Are You There God? It’s Me Margaret, Shin Ultraman, The Watermelon Woman, and More
On a year that let us come back to the theaters, and what that meant for the movies we saw.
Chicago Party Aunt, Netflix’s new animated comedy, undercuts the strengths of its medium and its cast through sloppy, tired craft and writing.
IFC’s irreverently absurd Soul Train pastiche returns for a one-off special as inventive as it is occasionally overlong.
HBO’s latest is a didactic lecture of a Brexit primer whose handsome performances hide a smug political nihilism.