Mobile Suit Gundam Hathaway is a must-watch for fans of the series
The latest entry in the venerable anime saga is compelling, thrilling, and rather reliant on series history.
The latest entry in the venerable anime saga is compelling, thrilling, and rather reliant on series history.
Thomasin McKenzie & Anne Hathaway burn up the screen in William Oldroyd’s unsettling thriller.
Anne Hathaway and Chiwetel Ejiofor have chemistry to spare in Doug Liman’s unexpectedly charming quarantine-themed romance.
The best films of the year include gritty crime dramas, auteurs returning with bold new works, and quirky comedies.
Rebecca Miller writes and directs a perplexing but never boring comedy about a composer with a devastating case of writer’s block.
For better and worse, James Gray’s latest is very much a story from his perspective.
David Fincher’s meticulous anti-murder-mystery is a curious marriage of thriller and romantic comedy.
Robert Zemeckis’ new Roald Dahl adaptation is too grim for kids and too tame for parents, despite some solid performances.
With its lo-fi aesthetics and quietly chaotic presentation, Jonathan Demme’s 2008 drama never goes for the easy conflicts at hand.
New films by Julie Taymor, Dee Rees, and Justin Simien mix with fascinating new docs and debut features in our list of Sundance 2020 must-sees.
Todd Haynes steps outside of his wheelhouse with a well-intentioned, but messy piece of narrative journalism.
Amazon’s star-studded anthology series is so gentle, pleasant and inoffensive it ceases to resemble actual relationships.
Kenneth Branagh furthers his adoration for William Shakespeare by directing and starring in this free-wheeling biopic of the Bard’s final years.
From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
In the wake of Serenity’s balls-out weirdness, we look at how it fits into the oeuvre of “oddball post-Oscar films” for McConaughey and Hathaway.
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to do, despite the cast’s pedigree. This piece was originally posted on Alcohollywood Certain movies bring out a strong reaction in me not just because I happen to disagree with their values, but because they claim to represent … Ocean’s 8 Review: Female-Forward Heist Antics Don’t Cover A Lack of Depth
Are You There God? It’s Me Margaret, Shin Ultraman, The Watermelon Woman, and More
Fans of Amazon’s premiere science-fiction series would do well to spend their time between seasons catching up on its anime forebears.
Tom Hooper adapts the Andrew Lloyd Webber musical into a Cronenbergian hellscape of trippy man-cats and the barest sliver of story.