Sam Raimi and Sharon Stone’s quickdraw revenger is stylish and skillfully crafted.
January’s Criterion offerings include a box set of Bunuel’s final films, Martin Scorsese on Bob Dylan, and Bing Liu’s astonishing doc debut.
Ryan Murphy executive produces an origin story no one asked for, with more hollow camp than anyone needs.
Paul Verhoeven’s wild sci-fi action thriller remains a one-of-a-kind look at a bleak & plausible future.
Part deadpan comedy, part drama, and part neo-noir, Jim Jarmusch’s 2005 indie remains one of his most textured—and one of his most approachable.
Martin Scorsese’s underrated gangster drama Casino depicts Sin City as a place where dreams & nightmares are one, & no heroes are to be found.
Fifteen years later, the spectacular failure of Catwoman still stings.
We take a look at the state of female-led superheroes up to this point, from the lows of Catwoman to the highs of Wonder Woman and Captain Marvel.
Jillian Bell is hilarious as a klutzy fairy godmother-in-training in this deceptively-fun fractured fairy tale.
Lines are drawn & alliances are tested as FAM celebrates their big day.
Barry Jenkins’ sensitive, lyrical adaptation of James Baldwin’s novel is one of the year’s best, most tragic romances.