“Ginny & Georgia” is the grift that keeps on giving
Netflix’s latest is a charming, if tonally confused, young adult series about a mother-daughter duo starting over.
Netflix’s latest is a charming, if tonally confused, young adult series about a mother-daughter duo starting over.
Vin Diesel nicely keys into more stoic shootouts, but the movie around him can’t weld together its medley of genre inspirations.
The series leans ever harder into goofy maximalism with bigger stunts, an overwhelmingly huge cast, and Jason Momoa having the time of his life.
James Gunn sends off the Guardians (and the MCU as a whole) with a closing chapter that’s as emotional as it is overstuffed.
Michael Cusack and company fail to bring the laughs to a new but immediately outdated-feeling animated comedy.
The MCU’s latest “Special Presentation” is an over-the-top mishmash of feelings, just like the Guardians and the holiday.
Don’t expect any sequel teases or surprises and you’ll walk away from I Am Groot with a smile.
On a year that let us come back to the theaters, and what that meant for the movies we saw.
The latest entry of the perennial series is a mixed bag of the movies’ trademark ridiculousness and shoddy, lackluster action sequences.
Philip Seymour Hoffman’s final role, as a CG-assisted reprise in the final Hunger Games films, is more a commemoration than a performance.
The newest Falcone/McCarthy collaboration feels just like the others: disappointing.
James Gunn’s interstellar hangout movie is weird and messy, but deeply, admiringly focused on its characters and an earnest emotional core.
A break from all those iron men and thunder gods, James Gunn’s blast of ’70s pastiche helped solidify the Marvel movies’ blend of character and comedy.
The temporary shutdown of public life that’s happening amid global coronavirus conditions has led to a standstill at the box office.
From De Palma’s series launcher on, Cruise has used the tales of Ethan Hunt to ponder the nature of cinema as performance, perception, and manipuation.
The four-part self-serving but personal documentary covers O’Neal’s larger-than-life personality, his climb to being the best center in the NBA, and life after basketball.
Abe Forsythe’s Aussie horror comedy strands a school field trip in the middle of a zombie apocalypse, to delightful results.