Filmmaker of the Month In “Friday the 13th: Jason Takes Manhattan”, Jason (sort of) takes a bloody bite of the Big Apple Paramount tried to jazz up the Friday the 13th franchise by plopping Jason in the City That Never Sleeps, but the results nearly killed the series.
“Promare” is a constantly gorgeous, largely joyous action anime TRIGGER's debut feature boasts a bevy of color palettes and visual styles that come to life in the new home release from Shout! Factory.
Interviews Emile Mosseri on crafting the noir-tinged mysteries of “Homecoming” The composer talks about joining Amazon's acclaimed mystery series for its second season.
TV “AKA Jane Roe” lays bare the complex figure at the heart of Roe v. Wade FX's new documentary compellingly charts Norma McCorvey's journey from pro-choice activist to paid pro-life figurehead.
“The Trip to Greece” is a fitting end to the series, but don’t expect a comedy The last entry in the Trip series provides more insults and impressions, but it isn't so much about the jokes this time.
“Blood Machines” is a trippy, cosmic synth-wave opera Shudder's latest is a synthwave sci-fi opera is thinly plotted and unapologetically lurid, but packed with gorgeous grindhouse visuals.
“The Lovebirds” is a disappointing date night of foul play Michael Showalter's latest comedy suffers from a hackneyed script that forces its otherwise-likable stars to do all the heavy lifting.
“Time Warp” is a warm celebration of weird cinema The three part documentary offers an affectionate, occasionally uneven look at cult films.
TV “Blood & Water” makes for an uneven mix of teen drama and mystery Netflix's latest African original series is a teen mystery that can't quite overcome its derivations.
“Villain” is a rubbish, sluggish British crime caper Craig Fairbrass' textured mug can't save this low-budget crime flick that tumbles headfirst into cliche.
Interviews Capturing Dystopias: “Snowpiercer” and “Westworld” cinematographer John Grillo The cinematographer behind much of HBO's Westworld and TNT's Snowpiercer talks about the rocky road to filming two disparate sci-fi dystopias.
Filmmaker of the Month In “Friday the 13th Part VI: Jason Lives”, Jason slashes his way back to the series The Friday the 13th series chugs along with a straightforward but functional slasher with a hint of metahumor.
Filmmaker of the Month “Friday the 13th: A New Beginning” finds 22 victims in search of a Jason Jason (and the franchise) comes back from an ostensible conclusion to keep up the blood-splattering mayhem.
TV “Snowpiercer” goes off the rails far too quickly TNT's adaptation of the French comic and Bong Joon-ho film struggles to stretch its high-concept premise across an entire series.
“Fame” dared to tell the truth about making it in show business Alan Parker’s gritty, all too realistic musical drama turns 40 & still asks a difficult question: is talent enough?
“Seberg” is a political thriller with no real point of view Benedict Andrews' retelling of FBI's pursuit of the French New Wave star under the Hoover administration relies far too heavily on broad stokes.
Features Rest in peace Annalise Keating, the heart of “How to Get Away With Murder” In the wake of the series finale, we look back on what made Viola Davis' character so iconic.
Features “Mad Max: Fury Road”’s language is as impeccable as its action George Miller's post-apocalyptic series is just as much about learning to communicate as it is learning to survive in the desert wastes.
Historical action meets creature feature in the delightfully silly “Monstrum” Shudder brings us a gory, goofy mix of Crouching Tiger, Hidden Dragon and Tremors.
“Scoob!” is as insubstantial as a Scooby Snack Hanna-Barbera gives Scooby-Doo a superpowered reboot and loses most of its charm along the way.
“The Wrong Missy” is the least wrong thing about Happy Madison’s latest A spirited turn from Lauren Lapkus can't quite save the Sandler crew's newest misfire.