Paul Bettany is fantastic in the title role, and about the only thing worth watching in Amazon’s interminable family drama.
Author: Jonah Koslofsky
Jennifer Leitzes’ only feature is an uneven genre piece with a good few moments, some thanks in part to Philip Seymour Hoffman.
Adam Elliot’s claymation offering was Philip Seymour Hoffman’s only animated film, but it’s as thorough as his other efforts.
The sequel to 1992’s The Last Party sees Philip Seymour Hoffman reflects the polarized politics of 2020 through the 2000 race.
Remy Weekes’ haunting debut elegantly balances bone-chilling atmosphere with more socially relevant scares.
Philip Seymour Hoffman gives us one of his most achingly heartfelt performances opposite Laura Linney in Tamara Jenkins’ family drama.
Try as he might, Philip Seymour Hoffman can’t lend enough sleaze to Brett Ratner’s Hannibal Lecter sequel to make it feel less like a bland retread.
This spooky season, we glance back at one of two horror movies Philip Seymour Hoffman did.
Yulene Olaizola presents a nightmarish thriller based on Central American folklore, but its opaqueness makes it hard to truly grasp.
Philip Seymour Hoffman does his level best to elevate Anthony Minghella’s Oscar-friendly Miramax Western, but even he can’t save it.
Steve McQueen’s new anthology series is an impassioned, insightful look at anti-Black discrimination in 20th-century London.
Pedro Almodóvar’s adaptation of Jean Cocteau’s one-act play is an expansive, carefully constructed half-hour.
Philp Seymour Hoffman takes a rote villain role and goes toe-to-toe with megastar Tom Cruise in J.J. Abrams’ Mission: Impossible III.
Sam Pollard’s latest documentary is a dense look at Martin Luther King Jr. and the Hoover administration’s attempts to silence him.
Cameron Crowe’s rock and roll dramedy may not be the most realistic tale, but it’s a keen mix of chaotic and crowd-pleasing.
Add McG’s execrable slasher sequel to the pile of tragedies 2020 has foisted upon us.
Philip Seymour Hoffman lends remarkable texture to Spike Lee’s 25th Hour, a film in mourning over New York and the fleeting nature of being.
Charlie Kaufman’s minimalist meditation on mortality is as hard to get through as it is oddly rewarding.