Danny McBride’s latest collaboration with Jody Hill and David Gordon Green doesn’t quite keep the faith.
Linklater’s Before Trilogy – Before Sunrise, Before Sunset, and Before Midnight – is an eye-catching crystallization of how relationships change over time.
The otherwise-spotty Hateful Eight still contains one of Tarantino’s greatest sequences.
Julius Onah directs a provocative psychological drama about an adopted teen struggling with societal expectations.
Stanley Kubrick’s mercurial erotic drama gets some much-needed context thanks to one of Frank Ocean’s most infamous mixtapes.
The South rises again thanks to the effortless comic charms of Lynn Shelton and Marc Maron.
Streaming services grant unprecedented access to films normally outside the reach of most moviegoers. But can the technical experience of watching them do them a disservice?
While still a visual triumph, “The Matrix Reloaded” swaps out depth for shallow philosophy.
Jill Magid’s documentary delves into messy conversations about the link between art and legacy, becoming a short but […]
Looking back on the final season of HBO’s hit show, it’s impossible not to see the many ways the showrunners let down their story and the characters in it.
Joanna Hogg tells the story of a young artists’ maturity with an airtight structure and incredible performances.
The latest entry in this unlikely franchise about an endlessly reincarnating dog is as treacly as it is exhausting.
As the first generation of Marvel superheroes hangs up their claws and helmets, we wonder just how long pop culture will actually let them stay dead.
From Bound to Sideways to Romy and Michelle, this year’s Ebertfest was a celebration of the weird, eclectic, and fantastic films Roger Ebert loved.
Reassembled from previously-thought unusable Sydney Pollack footage, Alan Elliot cobbles together an arresting Aretha Franklin concert film.