S Categories Movies Reviews September 18, 2021 St. Vincent meta-doc The Nowhere Inn offers up deconstruction for its own sake Annie Clark and Carrie Brownstein play with the fuzzy lines between artistic identity and celebrity in ways that both entertain and befuddle.
C Categories Movies Reviews September 15, 2021 Clint Eastwood’s Cry Macho is crooked and kind-hearted Clint Eastwood's latest boasts a strong central performance in a grand step up from his recent works despite its rocky script.
C Categories Movies Reviews August 25, 2021 Candyman revives the urban legend to frightening effect Nia DaCosta's long-awaited horror sequel uses its unorthodox approaches to make for an unspooling nightmare that's hard to shake.
A Categories Movies Reviews August 5, 2021 Annette is a bold, beautiful corpse of a musical Leos Carax's latest is a stripped-down rock opera that oscillates between parody and satire to fittingly uneven effect.
T Categories Movies Reviews July 26, 2021 The Green Knight fights itself for most of its runtime David Lowery's adaptation of the Arthurian tale applies a stolid approach to a loose, lyrical story, to mixed results.
O Categories Movies Reviews July 23, 2021 Old has lots of life but lacks growth M. Night Shyamalan's latest is technically well made but stretched too thin due to an overinflated ensemble and wonky pacing.
P Categories Movies Reviews July 14, 2021 Pig is a parable with a surprising amount on its mind Michael Sarnoski's feature debut is a slow burn about connection and commodification anchored by deeply felt work from Nicolas Cage.
& Categories Movies Reviews June 8, 2021 “In the Heights” doesn’t meet its lofty aspirations Jon M. Chu's adaptation of the Lin-Manuel Miranda musical has choice moments and a solid cast but is far too messy to work.
& Categories Movies Reviews June 6, 2021 “The Carnivores” has just enough meat on its bones Caleb Michael Johnson's first feature juggles iconography, domestic drama, and surrealism to modest success.
& Categories Movies Reviews June 4, 2021 “Port Authority” sidelines its own story Danielle Lessovitz's debut fails to probe its themes, marginalizing the community it aims to highlight in the process.
