Following the budding political careers of Alexandra Ocasio-Cortez and others, Rachel Lears presents a frequently-exciting doc about their rise to power.
Solid lead performances are little compensation for more feel-good “can’t we all just get along?” Oscar bait.
Alison Klayman delves deep into the disturbing nihilism of the Breitbart figure in this occasionally uneven, but compelling documentary.
While it’s long, languorous and more than a little dreamlike, László Nemes’ latest paints another sumptuous world of woe.
Recounting the tale of the men who hunted down Bonnie and Clyde, The Highwaymen is far too trite and hokey for its own good.
Our Sundance coverage wraps up with a triple feature of a 1980s art-school personal essay, a documentary from China, and a haunting child-soldier tale.
Day 6 of our Sundance coverage sees a wide gulf in quality, with a stunning doc about the Apollo 11 mission and a stunted dark corporate comedy.
Two insightful docs about the pitfalls of modern technology pair with a tepid Adam Driver-led political drama and Tim-and-Eric-style comedy at Sundance.
Day 4 of Sundance shows us a neon-lit social media nightmare in Share, as well as Dan Gilroy’s arch, uneven art world critique Velvet Buzzsaw.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.
Day 2 of our Sundance coverage covers comedies starring Jillian Bell and Pete Davidson, and a tepid political thriller starring Keira Knightley.
From droll Heathers homages to docs about pioneering female sailors, Matt Cipolla breaks down his first day at Sundance.