A young bride fights off her murderous in-laws in a delightfully droll slasher thriller.
Author: Marshall Estes
Nickelodeon’s teenage live-action reboot of the beloved children’s show brings a strong central performance and oodles of adventure.
Dwayne Johnson and Jason Statham team up in a spinoff that delivers plenty of action, even if its humor stalls.
Nietzchka Keene’s adaptation of the Grimm fairy tale is a haunting black-and-white showcase for Björk.
Frailty, thy name definitely ain’t “woman” in this feminist retelling of Hamlet.
Sam Jackson returns with two more generations of Shafts in a slick actioner let down by milquetoast jabs at millennials.
The sequel to the popular 2016 film has its characters learning new tricks, but its overabundance of plot and characters neuter its message.
Elton John’s not the man they think he is at home in Dexter Fletcher’s sparkling, muddled biopic.
Octavia Spencer reunites with the director of The Help, and this time she’s serving worse things than a “chocolate pie”.
The latest film from the French master is a piercing look at the state of publishing and mass media wrapped up in relationship drama.
While this animated kid’s film carries its titular dolls’ message of loving your imperfections, the end result is still a little too safe.
Molly Shannon and Amy Seimetz shine in this warm, tender, humanizing portrayal of the famously enigmatic poet.
Emma Tammi’s directorial debut stumbles a bit in its supernatural aspects, but the horror Western has plenty of creepy atmosphere to spare.
Matthias Schoenaerts learns to tame the beast within in this sensitive Belgian drama about a prisoner and his horse.
Nickelodeon’s latest family film is a boilerplate adventure that roller-coasts on its own basic competence.
The Colombian crime thriller serves as an intriguing, culturally relevant twist on an age-old story, with an eye to highlighting Wayuu cultural traditions.
Switching from slasher to sci-fi comedy, the sequel to the first Happy Death Day is a light, breezy delight.
January kicks off in earnest with an inventive, if stock, puzzle-box horror flick.
