The variety of creative voices in FX’s new docuseries lifts up what can be an inconsistent jaunt through 70 years of LGBTQ history.
Author: Marshall Estes
More than just an “important” show, Steven Canals’ pioneering queer series backs up its import with heart and style.
The final season of Darren Star’s series overcomes cast departures and some shoddy subplots to still end on an appealing high note.
Matthew Perniciaro’s docuseries recounts the murder of Michael Jordan’s father James, and asks whether or not the wrong man is in jail for it.
Armie Hammer, Evangeline Lilly, Gary Oldman, and others tackle different facets of the drug trade in an enjoyable, if flawed, procedural.
Amazon Prime’s latest series tries for gritty crime thriller, but ends up in unintentional camp territory.
Shudder’s remake of the 1981 cult horror focuses more on the titular queen’s victims, but is still a gory good time.
Netflix’s latest true-crime docuseries expands its scope not just to the famed LA murderer, but the community he […]
Netflix’s campy, grimy retelling of the teen witch tale reaches its end, dutifully sending off its characters before overstaying their welcome.
The university takes center stage in Disney+’s latest sports biopic, lacquering on sentimentality as much as it does team spirit.
Matt Tyrnauer’s docuseries is a swift, in-depth exploration of Ronald Reagan’s time in office and his family’s lasting impact.
David E. Talbert’s holiday offering is a fresh mix of fantasy, adventure, and sci-fi, even if it’s not the evenest.
David E. Kelley’s latest for HBO features Nicole Kidman in another excellent turn as a therapist who’s pulled into a murder investigation.
Netflix’s ensemble drama treats its young characters as authentic people instead of tiresome stereotypes.
Luca Guadagnino turns to TV to tell a lilting, meditative story about the uncertainties of adolescence.
Showtime’s docuseries about a love ’em & leave ’em con artist looks good but suffers from a lack of focus.
Peacock’s latest import, this time from Australia, is a charming twist on the ‘misfit friends living together’ story.
Pat Kondelis’ docuseries about a sexual assault allegation blends information with ambiguity but blurs over important information in the process.