Apple TV+’s new mystery series isn’t entirely consistent, but it blends childlike wonder with real-life injustice to engaging effect.
Author: Marshall Estes
The Erwin Brothers’ Christian romance aims for crossover appeal, but can’t quite rock its way into the free world.
Liz Garbus’ Sundance drama offers a gut-wrenching, if muddled, look at a true crime disappearance.
Apple TV+’s reboot of the Spielberg-created anthology series gets off to a lackluster start.
Michael Cristofer’s first movie since 2001 is a low-key thriller that respects its characters, even if its setup isn’t too original.
Levan Akin’s grounded, richly textured Georgian love story brims with dance and forbidden romance.
The teenage witch & pals continue to maintain a successful balance between horror & everyday heartbreak. In a […]
Armando Iannucci’s followup to Veep takes on the vagaries of corporate culture in deep space.
The penultimate season of Netflix’s long-running sitcom recycles dynamics and arcs, but that doesn’t stop it from being a joy to watch.
RuPaul and the creator of “Sex and the City” team up for Netflix’s lighthearted sitcom about a drag queen & a runaway kid.
HBO Sports serves up a short-but-sweet documentary on the whimsical practice of creative dog grooming.
Will Smith & Tom Holland lend their voices to an animated adventure that makes up in charm what it lacks in originality.
Brunch, mani-pedis, and catty breakups occupy a charming, but shallow tale on the woes of millennial women.
Helen Mirren and Ian McKellen elevate an otherwise warmed-over thriller as two people wrapped up in a late-life romance gone terribly wrong.
Hulu’s adaptation of the John Green novel explores the messy, furtive road of teenage love, warts and all.
Among the Mouse House’s stable of live-action remakes, this sequel to the 2014 prequel goes down a lot smoother than its contemporaries.
Upstream Color’s Shane Carruth stars in a haunting, atmospheric horror film about what lies beyond the pale.
Ryan Murphy’s first show for Netflix throws everything at the wall, and not all of it sticks.