Yoon Een-kyoung’s haunted house chiller falls short of its K-horror expectations.
Author: Sean Price
Rob Ford & Maurice Holden’s new documentary series doesn’t go deep enough to do its rich story justice.
John C. Reilly, Fred Armisen, and Tim Heidecker don spacesuits and cosplay astronauts in this droll charmer.
Ryan Spindell’s anthology isn’t the deepest slice of horror, but its glossy sense of fun carries it along.
Rodd Rathjen’s gripping debut turns from a portrait of Thailand’s exploitative fishing industry to a haunting coming of age story.
Kurtis David Harder’s new horror allegory can’t sustain its political or narrative ambitions despite a few spooky moments.
The homage to 80s vampire flicks commits the mortal sin of being boring.
Netflix’s latest animated show is a cheap-shot sports comedy that won’t stop bouncing off the comedic backboard.
Shia LaBeouf shouldn’t have been the center of a movie about Latinx street gangs, but he’s also the only bright spot in David Ayer’s latest misfire.
The Friends alum returns to television with a smart, if disposable, slacker-spy comedy.
Netflix’s manga-based action show is light on sense but heavy on stylish fun.
Ron Howard’s gripping historical space thriller teaches us a lot about frustrated expectations in our current moment (and the resolve to overcome them).
John Harvatine IV & Tom Root’s attempt at recapturing the goofy joy of “Robot Chicken” is a disappointing mess.
A look at the Scripps National Spelling Bee tells a compelling story about both word power & the immigrant experience.
The Office’s Greg Daniels and Steve Carell reunite for a clunky satire of Trump-era politics.
Justin Roiland and Mike McMahan’s Hulu series looks at human folly from an alien—and fittingly cynical—perspective.
Alice Wu’s sophomore feature is a kind-hearted effort that balances a bevy of inspirations, even if it’s too on-the-nose for stretches.
Alien robots and evil Norse gods may prove a thrill to the multiplex, but here, they’re not much more intimidating than adolescence.