IFC Midnight presents a creepily effective take on a tale as old as time.
Author: Sean Price
The Apple TV+ workplace sitcom may not be a gag a minute, but it’s got a better handle on its diverse cast of characters.
Shudder presents a wild Irish tale of bloodsuckers and brawling mayhem.
Sandwiched between Godfathers I & II, the paranoid thriller features Francis Ford Coppola in his greatest collaboration.
Netflix’s unique docuseries focuses on the role of clothing in memories and personal anecdotes.
An interesting concept is wasted with shoddy special effects and indifferent performances.
Amazon’s “Groundhog Day” for teens tries its best, but goes too heavy on metaphors instead of plot.
Rodney Ascher’s psychedelic documentary takes seriously the idea that we’re all living in a simulation, and stirringly explores the parameters of that premise.
Thanks to the father-son relationship at the center of its plot, Fisher Stevens’ drama about an ex-con’s redemption mostly succeeds.
The latest Shudder original is a clever homage to movies of the past, but quickly loses its focus.
Bryan Fogel follows up Icarus with a harrowing, if occasionally glitchy, profile of Saudi Arabia’s snuffing of dissent, whether through social media or just plain murder.
David Fincher’s 2010 drama about the founding of Facebook is nothing without Trent Reznor and Atticus Ross’ groundbreaking score.
Shockingly, the long-delayed comet disaster movie finds remarkable pathos and strong performances from Gerard Butler and Morena Baccarin.
Showtime’s pulpy series thrives with sense of place and unexpected thematic weight.
Showtime offers up a riveting blow-by-blow look at the famous (and famously troubled) Puerto Rican boxer.
Yoon Een-kyoung’s haunted house chiller falls short of its K-horror expectations.
Rob Ford & Maurice Holden’s new documentary series doesn’t go deep enough to do its rich story justice.
John C. Reilly, Fred Armisen, and Tim Heidecker don spacesuits and cosplay astronauts in this droll charmer.