The documentary about the destructive beauty of meteors is equal parts perplexing and engaging.
Writer-director Justin Dix pits WWII shipwreck survivors against monsters in a sometimes too restrained but fun horror adventure.
Timo Tjahjanto brings his maximalist sensibilities to a followup that tries to be several different horror movies at once.
Disney+ tries to blend its love of princes and princesses with its new focus on superheroes, with mixed results.
Alien parasites wreak havoc on Mother Russia in this pulpy, viscerally effective creepfest.
Václav Marhoul’s three-hour WW2 fable is a brutal film tied up a bit too rigidly in its meticulous depictions of violence.
Rod Lurie’s military thriller about the Battle of Kamdesh can’t quite nail its critique about the horrors of war.
Olivier Assayas’ latest is a clunky thriller that resists cinematic convention to its detriment.
Andrew Patterson’s tale of strange goings-on in ’50s New Mexico is full of detail, even if it doesn’t reach its full potenial.
Andrew Ahn’s sophomore film is one of the year’s most understated masterworks, with a beautiful sendoff for Brian Dennehy.
Newly restored in 4K by Indiecollect and released by Kino Lorber, Nancy Kelly’s 1991 western softly explores racial and gender-based oppression in late-1800s America.
Netflix’s latest buddy cop comedy is a dated, hateful mess that doesn’t deserve the screentime.
The much-memed movie star finds his footing again in a familiar but satisfying redemption story.
Though cinematographer Reed Morano shows some directing chops, the Blake Lively thriller is uneven in style & tone.
From Ad Astra to Us, we celebrate the cream of the cinematic crop in 2019.
Clint Eastwood’s latest tests the limits of perception, even as it loses the script with its portrayal of the media.
Melina Matsoukas’ vivid debut makes a Bonnie & Clyde story out of the dangers of being black in America.
Elizabeth Banks revives the girl-power action franchise with new blood and a solid if formulaic actioner.