Leigh Whannell’s follow-up to Upgrade is a chilling, Hitchcockian thriller about the ways trauma follows us around.
Demme’s 1986 screwball comedy is one of his most joyful and unexpectedly rebellious films.
Season 12 ramps up the tension with a thrilling hour that threatens lore-shattering conclusions next week.
Pixar gets back to its tear-jerking roots with an emotionally complex modern fantasy about grief, loss, and brotherhood.
A low-key historical ghost story turns into some lore-building terror for the Doctor. Okay, so the Oscars, a […]
The cinematographer of Sundance favorite Jumbo talks about transforming a tilt-a-whirl into Noémie Merlant’s living, breathing lover.
Alexandre O. Phillippe sits down for a long, insightful chat with the legendary filmmaker.
Netflix’s sequel to To All the Boys I’ve Loved Before keeps the charm but loses some of its edge.
The director of the queer folk-dance drama talks about homophobia in Georgia and the long, protest-filled road to getting the movie released.
In detailing Pepe the Frog’s journey from meme to monster, Arthur Jones charts the corrosive nature of creative ownership.
The young star of the Amazon Original Movie talks about working with other kids, staging a food fight, and what she’d tell the universe.
The DCEU embraces its inner Bugs Bunny, and is all the better for it.
Ben Whishaw shakes off the shackles of Paddington Bear in an intense, if meandering thriller about a man driven to the brink.
For the month of romance, we celebrate the birthday of the late great Jonathan Demme, whose filmmaking was as eclectic as it was empathetic.
Season 12 continues its upward trajectory with a perfectly-fine adventure with a few interesting supporting players.
From live-action to animated to documentaries, we flip through the Academy Awards’ shorts offerings to see what we think should win.
Matt Yoka’s documentary snaps a picture of a city — and a family — in transition.
Portrait of a Lady on Fire’s Noémie Merlant gets sweet on a theme park ride in this charming, if conventionally quirky dramedy.