The Roys slash and burn old and new media alike as they contemplate their uncertain futures.
Author: Clint Worthington
David Fincher’s haunting, revolutionary Netflix show returns for a sophomore glimpse into the dark core of the American soul.
The stars of Jennifer Kent’s harrowing colonial revenge film sit down to talk about finding their characters amidst historical hell.
Lee Eisenberg and Gene Stupnitsky’s edgy tween comedy finds an unexpected sweetness among the swears.
HBO’s cuttingly dark upper-crust family drama carves new depths of capitalist depravity in the season premiere.
The composers of Amazon’s new docuseries talk about Meek Mill, their contrasting styles, and the challenges of documentary scoring.
A late-summer adaptation of the Alvin Schwartz stories turns out to be one of the year’s biggest surprises in horror.
Michael Barnett’s doc is an inspiring, eye-opening look at the complicated, often painful world of transgender high school athletes.
Despite its stellar cast, including Kaitlyn Dever and Olivia Colman, this indie cult drama slithers away from itself a bit too often.
The writer/directors of Fantasia fave Freaks, talk about the lo-fi origins of their unconventional superhero story.
In honor of Where’d You Go, Bernadette?, we take a closer look at the prolific indie pioneer.
We sit down with the stars of HBO’s latest film to talk about sexual assault and social media in the post-#MeToo era.
Quentin Tarantino’s ninth film is a sun-soaked return to his roots, an energetic elegy for Old Hollywood that plays fast and loose with its history.
Dwein Ruedas Baltazar’s third feature is a morbidly beautiful tale filled with unexpectedly rich textures.
Tom Hanks charms as Fred Rogers in the trailer for Marielle Heller’s A Beautiful Day in the Neighborhood, out in theaters this Thanksgiving.
We talk to the director of the latest chiller from Fantasia about the hells of suburbia and working on his second film.
The director of House of Flying Daggers and Hero drains the color from a Shakespearean take of double identities to crisply symbolic effect.
Zhou Shengwei turns shoes into symbols for the systemic oppression of women in capitalist systems in this dizzying, expressionistic experiment.
