The MCU reaches a climax of sorts with the ambitious, three-hour Endgame, a satisifying end to the 11-year Marvel mythos to date.
Author: Clint Worthington
Brienne gets knighted, Arya checks something off her bucket list, and Dany reckons with Jon’s parentage in another leadup to Game of Thrones’ big battle.
Jennifer Kaytin Robinson’s unconventional combo of rom-com, BFF dramedy and a million other genres charms thanks to Gina Rodriguez and Lakeith Stanfield.
Clint sits down with the producers of Knock Down the House, The Infiltrators and Won’t You Be My Neighbor? to find out what makes a great doc.
Tessa Thompson and Lily James are two sisters struggling with rural poverty and difficult choices in this gripping, but uneven drama.
Adrianne Palicki pulls double duty in an Ed-Kelly episode that explores what could have been, and what might still be.
Our monthly TV podcast debates which character from David Chase’s seminal mob drama wins out over the rest.
With “Winterfell”, Game of Thrones starts its final season with a reorienting premiere, complicating alliances and setting up conflicts.
We interview the Starfish director about making his first feature, paying homage to a close friend, the film’s Silent Hill nods, and more.
Between its bevy of Trek alumni and effortless mixture of space spectacle and moral complications, this week’s Orville shines as one of the season’s best.
The Wind director sits down for a podcast interview to talk about her feature debut’s feminist horror deconstruction of the Western.
I sit down with the Hugo award-winning author to talk about addressing female erasure in the space race and her work as a puppeteer.
Danny Jolles (George) joins us to talk about the wonderful recurring cast of Crazy Ex-Girlfriend as it wraps up its final season this week on the CW.
Composer Brian H. Kim (Abby’s, Star vs. the Forces of Evil) on Synths, Scoring, and Studio Audiences
The composer talks about scoring the final season of Disney’s animated adventure and crafting a theme for NBC’s […]
RELAXER’s director sits down to talk about video games and the horrors of Y2K.
While it doesn’t reach the heights of Pete’s Dragon, Tim Burton’s remake has its fair share of charms, and takes a few digs at the House of Mouse.
The Orville coasts through a Gordon-heavy episode that sees him falling in love with the simulated recreation of a 21st-century woman (Leighton Meester).