This month, we go off the beaten path and ask contributors to write about films they’re thankful they got to experience for one reason or another.
Roland Emmerich’s dull, misguided World War II epic tries to mask its Pacific-sized flaws in the cloak of patriotism.
Mike Flanagan’s latest is equal parts Stephen King adaptation and Stanley Kubrick sequel, and can’t quite bridge the gap.
An old character from the comics arrives reinvented, as we see the other half of the story thus […]
The star of “Leave No Trace” and “Jojo Rabbit” sits down to talk about her career, her latest role, and finding humanity in inhumane times.
From Jed Bartlet to CJ Cregg to Losh Lyman, we elect one of Aaron Sorkin’s quick-witted White House wonks from The West Wing to our Hall of Faces.
Episode two digs into more of the show’s thematic material, as answers give way to more questions.
Eddie Murphy is back, baby, in this groovy, uproarious take on the gonzo career of Rudy Ray Moore. […]
(This dispatch is part of our coverage of the 2019 Chicago International Film Festival.) Welp, CIFF keeps chugging […]
Trey Edward Shults’ family drama, Tom Harper’s big-budget balloon thriller, and others dominate this latest CIFF dispatch.
Damon Lindelof stuns with a tight, incisive continuation of the impossible-to-film comic book. The prospect of making a […]
Bong Joon-ho’s latest is a twisty, turny, crackerjack class thriller.
Today’s CIFF dispatch includes family drama The Truth, death-row issue film Clemency, Guatemalan queer drama Tremors, and the gonzo Twentieth Century.
The director of the extensive ’80s horror doc “In Search of Darkness” sits down to talk about nostalgia, gore, and the appeal of scary movies.
Cheap, creaky jokes and overstimulated filmmaking plague a too-late sequel no one asked for.
Robert Pattinson and Willem Dafoe crash upon the ramparts of Robert Eggers’ disquieting followup to The Witch.
Ken’s character arc comes full circle in a surprising, shocking, dynamite finale to a stunning season of television.
Wyrm writer/director Christopher Winterbauer sits down at Fantastic Fest to talk about the analog appeal of ’80s kitsch and adapting shorts to features.