Judd Apatow’s latest is just as overlong and meandering as his usual fare, but boasts a surprising turn from Pete Davidson.
The Afropunk musician-turned-composer talks to us about diving into the complicated musical psyche of Shirley Jackson.
The acclaimed sitcom writer and food traveler talks about cultivating joy and hunger during challenging times.
New Line sends Jason to the final frontier, and sends all the thinly-drawn characters and low-budget kills of the franchise with him.
The composer talks about joining Amazon’s acclaimed mystery series for its second season.
Shudder’s latest is a synthwave sci-fi opera is thinly plotted and unapologetically lurid, but packed with gorgeous grindhouse visuals.
The cinematographer behind much of HBO’s Westworld and TNT’s Snowpiercer talks about the rocky road to filming two disparate sci-fi dystopias.
TNT’s adaptation of the French comic and Bong Joon-ho film struggles to stretch its high-concept premise across an entire series.
The veteran actress discusses her early turn in Nancy Kelly’s recently-restored feminist Western Thousand Pieces of Gold, and her career since.
Shudder brings us a gory, goofy mix of Crouching Tiger, Hidden Dragon and Tremors.
It’s essentially a semi-interactive bonus episode, but Ellie Kemper and crew still pull some fun rabbits out of their purple JanSports.
The director of Driveways talks about crafting his second film, finding grace in human connection, and working with the late, great Brian Dennehy.
Laurent Bouzereau’s documentary about the life and death of the Hollywood legend is charming but frustratingly incomplete.
Season 3 finally comes to a shuddering halt, bogged down in the same plotting problems it spent all […]
Annie Silverstein’s delicate, uncompromising drama uses the subculture of Black rodeo to paint an aching picture of loss, time and poverty.
For the first film’s 40th anniversary, we hack and slash our way through the long, bloody saga of Jason Voorhees and his journeys from hell to Manhattan to space.
Caleb learns the nature of his reality and graduates to the top of the food chain as the season draws to a close.
The composer of Get Out and Us discusses a return to his classical roots with Cory Finley’s Bad Education.