Tangerine Dream taught filmmakers to embrace electronic music
The electronic group redefined the sound of ’80s cinema, pioneering an iconic electronic soundscape that reverberates into modern film scoring.
The electronic group redefined the sound of ’80s cinema, pioneering an iconic electronic soundscape that reverberates into modern film scoring.
Caleb Michael Johnson’s first feature juggles iconography, domestic drama, and surrealism to modest success.
Philip Seymour Hoffman classes up an otherwise dull and contrived spy drama.
All-too-familiar staples of the Horse Girl genre get mechanically trotted out in DreamWorks’ latest kids fare.
The long-time horror screenwriter’s eerie-boarding-school-set first feature is worthy work that takes full advantage of its spooky setting.
The variety of creative voices in FX’s new docuseries lifts up what can be an inconsistent jaunt through 70 years of LGBTQ history.
Michael B. Jordan plays a merciless avenger to great effect in a fascinatingly anti-Tom-Clancy Tom Clancy adaptation.
One of Francis Ford Coppola’s most underrated films is a moving look at the legacy of violence & what it means to be a “leader.”
Despite its high quality production design and strong performances, the Shudder haunted house flick lacks in genuine thrills
Disney+ gives the kid’s hockey-team comedy series the Cobra Kai treatment, to heartwarming and rewarding results.
It remains to be seen if Marvel’s latest TV spinoff can capture audiences’ attention as well as its predecessor.
Tales of poverty, paranoia, and adolescences framed by tragedy cap off SXSW’s Narrative Feature Competition.
Co-created by a father and daughter duo, the new series on HBO Max starts on shaky ground, but shows promise.
Jared Hess directs an uneven documentary on forgeries & a gruesome series of bombings committed within the Mormon community.
Brea Grant writes and stars in a mostly-successful thriller about a woman trying to hold herself together as her world falls apart.
Watching the first cut of Richard Kelly’s ultra-ambitious Donnie Darko follow-up is like riding a wave of mutilation.
The Judas and the Black Messiah director talks about balancing revolutionary energy with his own personal need to grow as a filmmaker.
Nick Bilton’s documentary-slash-zoomer ethnography investigates whether you can game your way to social media fame.
Ben Wheatley’s pandemic-shot sci-fi effort is a derivative and predictable trip through the fog despite a few choice moments.
January’s Criterion offerings include a box set of Bunuel’s final films, Martin Scorsese on Bob Dylan, and Bing Liu’s astonishing doc debut.
Philip Seymour Hoffman plays the ultimate lackey in The Coen Brothers’ gleefully silly stoner comedy.