Female-led actioner The 355 is a big fat zero
Simon Kinberg directs a shaky, dated girl-power actioner that wastes its overqualified cast.
Simon Kinberg directs a shaky, dated girl-power actioner that wastes its overqualified cast.
The only new thing The King’s Man brings to the Kingsman series is crummy craft.
The nuptials prompt some rare frankness from the Roys amidst their usual chaos and scheming.
The director of Hustlers skillfully guides the audience through the grotesque bash the second-eldest Roy sibling throws for his 40th.
Choosing a presidential candidate means that the Roy family battle lines will be drawn and re-drawn in a razor-sharp episode.
Mike Mills’s newest eschews cliché to capture the depth of familial and interpersonal connections.
The studio’s latest combines the pop of its latest in-house pictures with a Pixarian high concept and Stephanie Beatriz’s excellent voice work to strong effect.
Succession shifts into farce for the fifth episode of its third season, right at a pivotal moment for the splintered Roy clan.
Adrien Brody guests as a concerned investor, as the Roy family civil war reaches the shores of the money men.
Edgar Wright’s Giallo homage wants to say something about feminism but is too frothy and oversimplified.
Succession’s second episode of its third season, “Mass in Time of War,” shuffles the players as the Roys prepare to clash.
The director’s latest volume of manicured whimsy will turn off Anderson skeptics, but it’s also one of his most vibrant, quotidian efforts to date.
The second family film this year to address the dark side of tech, Ron’s Gone Wrong unfortunately falls a little flat in execution.
The season premiere doesn’t miss a beat as sides are chosen, and strategies are planned.
Despite its top shelf cast & capable direction, this drama about tourists behaving badly is nothing we haven’t seen before.
Netflix’s latest attempt at the He-Man IP sacrifices interesting innovation for toyetic changes.
Green zombies, isolated scientists, and time-traveling middle schoolars populate our first dispatch from this year’s Fantasia.
With Masters of the Universe: Revelation, Kevin Smith re-launches He-Man by building on the original cartoon without being consumed by it.
Lisa Immordino Vreeland’s documentary shifts the writers’ prose and personas to the screen.
Audiences didn’t know what to make of a new & deeply unsettling Jim Carrey in Ben Stiller’s dark comedy.
The electronic group redefined the sound of ’80s cinema, pioneering an iconic electronic soundscape that reverberates into modern film scoring.