Anna Waronker on the grungy sounds of Showtime’s Yellowjackets
The former that dog frontwoman channels her alt-rock sensibilities for Showtime’s new hit series.
The former that dog frontwoman channels her alt-rock sensibilities for Showtime’s new hit series.
While not quite as much of a non-stop joke machine as past seasons, it’s more than made up for by the genuine warmth that develops between the four roommates (and Gizmo).
A visit to one of the franchise’s traditional allegory-filled worlds holds a mirror up to the real one.
Syfy’s new series is a shaky retread of Buffy in its early eps, but shows signs of promise.
Despite a fun premise and some solid character work, Drac and company’s last ride is a disappointingly bloodless affair.
This year’s best in TV took us from the furthest reaches of space to murder mysteries in small Philly towns.
The new vampire drama is pretty to look at, but lacks any blood in its veins.
The composer duo behind Netflix’s latest horror film talk about turning a vampiric LA into a synth-soaked mixtape.
While the new Netflix feature ultimately runs out of steam, Night Teeth pulses with “just sit back and enjoy the ride” fun for a solid hour.
Neil Jordan’s Mona Lisa, Johnnie To’s judo drama, and Gina Prince-Bythewood’s ode to Black love pepper Criterion’s September releases.
The first two entries in the newest Welcome to Blumhouse collection are a flawed pair of scary films.
Mike Flanagan’s Netflix miniseries may scare some & bore others, but for a few it offers unexpected peace and comfort.
The undead roommates finally begin to learn how to live together as the FX sitcom continues its extraordinary run as the funniest show on TV
The supernatural mystery series returns and is stronger and weirder than ever before.
This year’s Fantasia Festival offered a solid selection of horror, low-fi science fiction, and quietly paced drama.
This attempt to combine a vampire movie with an airborne Die Hard-alike is disappointingly bloodless and dull.
The New York-based festival roars back to post-lockdown life with its usual solid lineup of future award winners and indie gems.
The electronic group redefined the sound of ’80s cinema, pioneering an iconic electronic soundscape that reverberates into modern film scoring.
April’s Criterion releases include an early classic by Bong Joon-ho and a dizzying, meta-critique of French cinema from Olivier Assayas.
“Bram Stoker’s Dracula” may be comically over the top at times, but everyone involved put 100% heart and energy into it.
PBS presents a fresh & engagingly modern take on the timeless tale of star-crossed lovers.