Fantasia 2020: “Woman of the Photographs” takes the shine off our polished self-images
Takeshi Kushida’s debut is a heartbreakingly dark love story about confidence and perception.
Takeshi Kushida’s debut is a heartbreakingly dark love story about confidence and perception.
Try as he might, not even Philip Seymour Hoffman can’t quite spice up George Clooney’s warmed-over political drama.
Frank Cottrell Boyce’s directorial debut is an unfocused mix of family estrangement and Andersonian kitsch.NOW STREAMING: Powered by JustWatch Not to be confused with Eliza Hittman’s Never Rarely Sometimes Always, Sometimes Always Never is a British mystery film that on its face is about Peter, (Bill Nighy) a father searching for one of his two … Scrabble hands and scrambled dads abound in “Sometimes Always Never”
A look at death as the great equalizer, Gus Van Sant’s Kurt Cobain-inspired drama looks at the decay from man to myth—but never legend.
The acclaimed sitcom writer and food traveler talks about cultivating joy and hunger during challenging times.
The last entry in the Trip series provides more insults and impressions, but it isn’t so much about the jokes this time.
Newly restored in 4K by Indiecollect and released by Kino Lorber, Nancy Kelly’s 1991 western softly explores racial and gender-based oppression in late-1800s America.
Spike Lee’s Kickstarted remake of Ganja & Hess is more interesting than its negative reception belies.
Bridget Savage Cole and Danielle Krudy’s chilling crime story finds spine-tingling tension in the mundane.
Kelly Reichardt’s latest is a kindhearted storybook of a film that gracefully balances the sights, sounds, and textures of pre-Gold Rush Oregon.
Who should win, who will win, and who was left out.
Disney’s sequel enjoys another robust weekend, while the Rian Johnson whodunit clues moviegoers to the joys of original crowdpleasers.
This sequel to the 2013 animated hit delivers on the songs and some lovely messaging, but essentially delivers more of the same.
There’s a lot more nuance to be found in the discourse surrounding Marvel movies and arthouse cinema.
Stephen King and George Romero’s ode to creepy comic anthologies is a schlocky, joyous riot.
Jane Campion’s Janet Frame biopic, a trilogy of fables from Abbas Kiarostami, and one of Ozu’s lesser-known melodramas fill Criterion’s August slate.
Over his decades-long career, the Italian neorealist crafted films filled with truth, empathy, and kindness.
Gregg Araki’s ten-episode sex comedy for Starz serves up a heaping helping of sex, twentysomething angst, and doomsday prophecies.
The Colombian crime thriller serves as an intriguing, culturally relevant twist on an age-old story, with an eye to highlighting Wayuu cultural traditions.
Writer/director team Zeek Earl and Chris Caldwell craft a grimy, visceral space Western about a family of prospectors risking their lives on an alien moon. This piece was originally posted on Alcohollywood Space-based science fiction is usually a big-budget affair – hundred-million-dollar space battles, exotic alien creatures and slick, futuristic spaceships. However, every so often … Prospect Review: A Thrilling, Micro-budget Sci-Fi Western