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Clerk. is a slight but charming look back at Kevin Smith’s career

This look at Smith’s filmmaking trajectory doesn’t delve deep, but it certainly isn’t a Cop Out either.

The artists at Aardman deliver another winner with this tale about a clumsy robin.

Boulevard!—Jeffrey Schwarz’s documentary on a never-was musical adaptation of Sunset Boulevard and its makers—is insightful if scattered.

The snow’s coming down, but no one can seem to get their Christmas plans right.

Anthony Perkins – Norman Bates himself – steps behind the camera to make a morbidly funny and surprisingly moving Psycho sequel.

Bruce Willis’ infamous megaflop may have been greeted with a collective “whuh?”, but it rather rules as a movie.

“Bram Stoker’s Dracula” may be comically over the top at times, but everyone involved put 100% heart and energy into it.

The remaining festival offerings in horror are satisfyingly gory, but some fall short in plot & characterization.

Watching the first cut of Richard Kelly’s ultra-ambitious Donnie Darko follow-up is like riding a wave of mutilation.

Netflix’s campy, grimy retelling of the teen witch tale reaches its end, dutifully sending off its characters before overstaying their welcome.

Lili Reinhart beams with bittersweet light in a surprisingly-nuanced teen romance that honors the complicated struggles of adolescence.

Ken Loach’s Sorry We Missed You, a thrilling doc about Showgirls, prestige Stephen King adaptations and others mark July’s DVD and Blu-ray releases.

Playing a creator who needs adoration, Philip Seymour Hoffman revels in the idiosyncrasies of famed author Truman Capote in Bennett Miller’s biopic.

Far from good but definitely not boring, Frank Marshall’s adaptation of Michael Crichton’s novel is a sick day viewing that deserves its due.

Paul Dano’s directorial debut, Nancy Kelly’s feminist Western & more number among May’s physical media releases.

Jason Voorhees tears his way over to New Line Cinema, who promptly cranks out an entry that warps his mythos for the worse.

It’s essentially a semi-interactive bonus episode, but Ellie Kemper and crew still pull some fun rabbits out of their purple JanSports.

From Jon Schmitz to Rod Blagojevich, Netflix documents the way media influences our justice system.

Julian Fellowes brings his Downton Abbey sensibilities to this warm, comforting costume piece.

Jason Segel gives us an energetic journey with compelling characters to balance a campy premise.

We look back at Jim Jarmusch’s film debut and the way its sense of experimentation ripples through the rest of his career.