Shawn Convey’s doc about a Bosnian biker gang on a humanitarian mission is a meditative mood piece on war, trauma, and purpose.
Rebel Wilson shines in a funny. insightful look at the rhythms of the rom-com.
Clint sits down with local Chicago filmmaker Michael Smith to talk about his latest indie comedy, and with regular Linklater composer Graham Reynolds about his work on Sundance darling Sister Aimee.
While it maintains the same dazzling, frenetic charm of the original LEGO Movie, The Second Part doesn’t manage to recapture the miracle of the first.
Diane Franklin and Paul Ben-Victor play the doomed DeFeos in yet another Amityville remake that’s content to run (and scare) in place.
Our Sundance coverage wraps up with a triple feature of a 1980s art-school personal essay, a documentary from China, and a haunting child-soldier tale.
From the latest Marvel trailers to the upcoming Amazon/Hulu shows, the Super Bowl was a cavalcade of anticipated TV spots.
On the podcast, RIchard Dreyfuss talks about his career and love of civics, plus two exciting young composers talk about their latest entries in Sundance.
Two insightful docs about the pitfalls of modern technology pair with a tepid Adam Driver-led political drama and Tim-and-Eric-style comedy at Sundance.
Day 4 of Sundance shows us a neon-lit social media nightmare in Share, as well as Dan Gilroy’s arch, uneven art world critique Velvet Buzzsaw.
High art meets low-grade horror in Dan Gilroy’s big, chancey dark satire of the high-priced modern art market.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.
Day 2 of our Sundance coverage covers comedies starring Jillian Bell and Pete Davidson, and a tepid political thriller starring Keira Knightley.
From droll Heathers homages to docs about pioneering female sailors, Matt Cipolla breaks down his first day at Sundance.
For the latest interview podcast, Clint talks to the filmmakers behind Netflix’s Polar, and the director of a […]
Ugly, juvenile, and drop-dead boring, Netflix’s comic book adaptation might be the running for worst of the year.
HBO’s latest is a didactic lecture of a Brexit primer whose handsome performances hide a smug political nihilism.
Documentary filmmaker Penny Lane sits down with us to talk about her latest, THE PAIN OF OTHERS.